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BURQAS, BASEBALL, AND APPLE PIE

BEING MUSLIM IN AMERICA

A bold, intimate, welcome examination of reconciling one’s faith in America.

One woman’s personal examination of Muslim and American values.

In this follow-up to her comparative study of Muslim, Christian and Jewish identity (The Faith Club, co-authored with Suzanne Oliver and Priscilla Warner, 2006), Idliby hones in on her family’s experiences as American Muslims immediately following 9/11. The author and her husband, then longtime Manhattanites and self-described “secular Muslims,” suddenly found themselves and their children challenged by “Muslims who speak for us and Americans who reject us.” Thus confronted with repeated calls to account for the whole of Islam, and skewed views of a violent Islam at that, Idliby was forced to look within at what Muslim and American values she held dear. The author charts that reflection, as this daughter of a Palestinian father and Kuwaiti mother who had spent her youth shuttling between Virginia and Dubai painfully relates to her own children’s post-9/11 sense of being the “other.” Hoping for better for her American-born children, Idliby tailors her remarks for a largely Islam-illiterate American audience, debunking a number of widespread misconceptions about Islam. Refusing to have her children’s worldviews constricted by “clerics who peddle seventh century absolute orthodoxy as the only true Islam,” Idliby strongly advocates for reading the Quran in the cultural context of its time and not as literal doctrine for 21st-century society. For example, the author explains that female head-covering is a social convention and admonishes those donning the niqab (full face covering) for opting to be “buried alive under a black tent” and, thereby, “erased of their identities.” In Mecca, Islam’s holiest city, Idliby also points out, “face coverings are banned,” underscoring one of the memoir’s central points—that “Islam is not a nationality, but a faith, as diverse and varied as its many billion adherents.” Such diversity of belief, Idliby compellingly argues, aligns well with American individualism and cherished beliefs in equality, diversity and justice.

A bold, intimate, welcome examination of reconciling one’s faith in America.

Pub Date: Jan. 7, 2014

ISBN: 978-0-230-34184-5

Page Count: 256

Publisher: Palgrave Macmillan

Review Posted Online: Nov. 10, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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