Sharp, strange, propellant—and a whole lot of fun.

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LUSTER

After losing her day job, a troubled young artist finds herself living with her much-older lover, his inscrutable wife, and their adopted daughter in Leilani’s electric debut.

Edie meets Eric online: She's a 23-year-old Black art school dropout with a mouse-infested apartment in Bushwick and an ill-fitting administrative job at a children’s publishing imprint; he's a White archivist in an open marriage and twice her age. “The age discrepancy doesn’t bother me,” she explains, keenly aware of the dynamics of these types of exchanges, his stability and experience for the redemptive power of her youth. Of course, she has been curious about the wife, but it's only after Eric goes silent that she wanders into his unlocked house and comes face to face with Rebecca, who knows who she is and coolly invites her to stay for dinner. Afterward, Rebecca leaves her a voicemail: “I enjoyed meeting you, let’s do that again.” And so it begins. Newly fired from the publishing house for being “sexually inappropriate,” Edie is working for a delivery app when she gets an order for lobster bisque and a bone saw delivered to a VA hospital. The customer is Rebecca. The bone saw is because she’s a medical examiner. The reason Rebecca then takes Edie home with her…can’t be reduced into straightforward facts. Edie’s role in their household is perpetually tenuous and always unspoken: It is clear to her that she has been brought in, in part, “on the absurd presumption” she’d know what to do with their traumatized daughter, Akila, “simply because we are both black.” So she bonds with Akila. Sometimes, she cleans. She is neither Rebecca’s friend nor her rival. Regular envelopes with money appear on her dresser in irregular amounts, a cross between an allowance and a paycheck. And all the while, the dynamics among the four of them keep shifting, an unstable ballet of race, sex, and power. Leilani’s characters act in ways that often defy explanation, and that is part of what makes them so alive and so mesmerizing: Whose behavior, in real life, can be reduced to simple cause and effect?

Sharp, strange, propellant—and a whole lot of fun.

Pub Date: Aug. 4, 2020

ISBN: 978-0-374-19432-1

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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An alternately farcical and poignant look at family bonds.

THE SUMMER PLACE

When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.

THE RAVAGED

This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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