by Ray Gibson & Edie Gibson with Randall Turner ‧ RELEASE DATE: Nov. 1, 1991
A lackluster account of the murder of a swinging Illinois housewife/community activist, by a pair of Chicago Tribune reporters writing with the victim's brother. Thirty-five-year-old Dianne Masters was unhappily married to Alan Masters, a highly successful lawyer with few scruples and many connections with members of the underworld, bent cops, bribable judges, and corrupt politicos. For three months, Dianne had been having a torrid affair—steamy assignations in seamy motels, hurried couplings in parked cars—with a college professor. Then, on March 19, 1982, two days before she was scheduled to file for divorce, she disappeared. Six months later, Dianne's Cadillac was pulled from the waters of a Chicago canal; her body, beaten and shot, was found crammed into the trunk. The subsequent investigation was desultory at best; leads were not followed up, the people involved were only cursorily questioned. To Dianne's brother, it was apparent that Masters, fearing that Dianne would reveal his shady dealings during divorce testimony, had masterminded the killing and that his connections were engaged in a cover-up. It wasn't until the FBI was called in and several honest investigators assigned that progress was made in unraveling the case. Seven years after the murder, Masters and two accomplices were charged with the crime. The jury found Masters guilty of conspiracy to murder and sentenced him to 40 years in prison, his co-defendants to lesser sentences. Although the Gibsons and Turner attempt to portray Dianne sympathetically, from the bald evidence here she comes across as shallow, headstrong, and self-destructive. With greater objectivity, the authors might have produced a devastating portrait of a woman whose skewed vision of ``liberation'' led her not to the fulfillment she imagined but to violence and death. As it is, they have come up with a merely tepid true-crime tale. (Eight pages of b&w photographs—not seen.)
Pub Date: Nov. 1, 1991
ISBN: 0-312-06306-7
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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