by Raymond Benson ‧ RELEASE DATE: June 15, 1998
The fate of the world, and James Bond, are in capable hands in this second 007 adventure from Benson (Zero Minus Ten, 1997). Writing as both a disciple and defender of Western civilization’s most enduring action hero, Benson, a director of the Ian Fleming Foundation and author of the fan bible, the James Bond Bedside Companion, attempts to meld Fleming’s brooding, coolly cruel British knight with the dapper, quip-slinging techno-warrior of the Bond movies, with a few respectful bows to the superhuman stuntman Bond became when British thriller-factory John Gardner had an exclusive franchise on the series. All the canonical elements are in place—the Flemingesque fetish for brand names (we—re informed that Bond’s crippled American sidekick, former CIA agent Felix Leiter, now zooms about in a high-speed Action Arrow motorized wheelchair), a demented, megalomaniacal father figure villain (Konstantine Romanos, an independently wealthy mathematics professor who thinks he’s the reincarnation of Pythagoras), the ultimate car (a self-driving Jaguar XK8 with more gadgets than the Batmobile but, alas, no ejection seat), the corny sex jokes (Bond seduces the statuesque female director of a sperm bank who extracts her sample from 007 as passionately as possible), a superbly furnished techno-fortress with a hidden superweapon, and, most infamously, a harem of beautiful, accomplished women, some of whom are bisexual, all of whom can—t resist Bond’s darkly handsome charms. The plot, meanwhile, is standard Bond, with Romanos using designer weaponry to kill numerous innocent people, with a purloined Pershing missile being readied for launch. Between the requisite scenes of sex, violence, and destruction, Benson’s Bond occasionally succumbs to existential gloom, but never fails to do the right thing for Queen and country. A postmodern treat for fans and newcomers that lovingly, if not ironically, duplicates a formula so familiar that originality would be sacrilege. (First serial rights to Playboy)
Pub Date: June 15, 1998
ISBN: 0-399-14405-6
Page Count: 272
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 1, 1998
Categories: GENERAL THRILLER & SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER
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BOOK REVIEW
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by David Baldacci ‧ RELEASE DATE: Oct. 26, 2004
A serial killer with a sense of history is the baddie in this latest from Baldacci, one of the reigning kings of potboilers (Split Second, 2003, etc.).
He kills, he leaves clues, he flatters through imitation: Son of Sam, the San Francisco Zodiac killer, Richard Ramirez, John Wayne Gracy, and so on down a sanguinary list of accredited members of the Monsters’ Hall of Fame. Suddenly, the landscape of poor little Wrightsburg, Virginia, is littered with corpses, and ex-Secret Service agents Sean King and Michelle Maxwell have their hands full. That’s because bewildered, beleaguered Chief of Police Todd Williams has turned to the newly minted private investigating firm of King and Maxwell for desperately needed (unofficial) help. Even these ratiocinative wizards, however, admit to puzzlement. “But I'm not getting this,” says Michelle. “Why commit murders in similar styles to past killers as a copycat would and then write letters making it clear you’re not them?” Excellent question, and it goes pretty much unanswered. Never mind—enter the battling Battles, a family with the requisite number of sins and secrets to qualify fully as hot southern Gothic and to prop up a plot in need. Bobby Battles, the patriarch, is bedridden, but Remmy, his wife, is one lively mischief-making steel magnolia. She’s brought breaking-and-entering charges against decent local handyman Junior Deaver, who as a result languishes in the county jail. Convinced of his innocence, Junior’s lawyer hires King & Maxwell to sniff around for exculpatory evidence. Well, will the two plot streams flow together? You betcha. Will the copycat-serial-killer at one point decide that King and Maxwell are just too clever to live? Inevitably. And when at last that CCSK’s identity is revealed and his crimes explained (talkily and tediously), will readers be satisfied? Only the charitable among them.
Lame but, like its predecessors, bound for bestsellerdom.Pub Date: Oct. 26, 2004
ISBN: 0-446-53108-1
Page Count: 440
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 2004
Categories: THRILLER
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