The fate of the world, and James Bond, are in capable hands in this second 007 adventure from Benson (Zero Minus Ten, 1997). Writing as both a disciple and defender of Western civilization’s most enduring action hero, Benson, a director of the Ian Fleming Foundation and author of the fan bible, the James Bond Bedside Companion, attempts to meld Fleming’s brooding, coolly cruel British knight with the dapper, quip-slinging techno-warrior of the Bond movies, with a few respectful bows to the superhuman stuntman Bond became when British thriller-factory John Gardner had an exclusive franchise on the series. All the canonical elements are in place—the Flemingesque fetish for brand names (we—re informed that Bond’s crippled American sidekick, former CIA agent Felix Leiter, now zooms about in a high-speed Action Arrow motorized wheelchair), a demented, megalomaniacal father figure villain (Konstantine Romanos, an independently wealthy mathematics professor who thinks he’s the reincarnation of Pythagoras), the ultimate car (a self-driving Jaguar XK8 with more gadgets than the Batmobile but, alas, no ejection seat), the corny sex jokes (Bond seduces the statuesque female director of a sperm bank who extracts her sample from 007 as passionately as possible), a superbly furnished techno-fortress with a hidden superweapon, and, most infamously, a harem of beautiful, accomplished women, some of whom are bisexual, all of whom can—t resist Bond’s darkly handsome charms. The plot, meanwhile, is standard Bond, with Romanos using designer weaponry to kill numerous innocent people, with a purloined Pershing missile being readied for launch. Between the requisite scenes of sex, violence, and destruction, Benson’s Bond occasionally succumbs to existential gloom, but never fails to do the right thing for Queen and country. A postmodern treat for fans and newcomers that lovingly, if not ironically, duplicates a formula so familiar that originality would be sacrilege. (First serial rights to Playboy)
Pub Date: June 15, 1998
ISBN: 0-399-14405-6
Page Count: 272
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 1, 1998
Categories: GENERAL THRILLER & SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 4, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | THRILLER | SUSPENSE | PSYCHOLOGICAL THRILLER
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