The author of The James Bond Bedside Companion (not reviewed) pits Agent 007 against worthy Pacific Basin opponents in a more than serviceable first thriller that could give Ian Fleming's ultracool hero yet another new lease on life. Dispatched to Hong Kong to halt a series of violent incidents that threaten the Crown Colony's mid-1997 return to the People's Republic of China, Bond first checks on Guy Thackeray, the fifth- generation head of a family shipping firm called EurAsia Enterprises. Although the SIS troubleshooter gets the goods on the shady businessman, the latter perishes (or appears to) in a car bombing. In next trying to tap underworld intelligence sources, 007 makes a nearly fatal mistake and is obliged to undertake a personal mission for triad chieftain Li Xu Nan. Against the odds, the master spy penetrates the PRC and returns alive, bearing papers that put Li in his debt. With help from the grateful crime boss, Bond heads down under to investigate a mysterious outback blast London has told him is not his affair. In due course, he finds a back-from- the-dead Thackeray at a remote uranium mine; to his horror, he learns that the embittered taipan (who's used EurAsia to make a great fortune in the drug trade) plans to put paid to the celebration of Hong Kong's handover by detonating a crude nuclear device on or near the island at midnight on June 30, 1997. Before 007 can beat the clock and save the showcase outpost of empire with an eleventh-hour dash through a crowded harbor, however, he must escape the clutches of a villainous captor and make it out of western Australia's famously inhospitable bush country. Benson's 007 is a chip off the old block and, if not a gilt- edged Bond, at least a double-A.
Pub Date: May 5, 1997
ISBN: 0-399-14257-6
Page Count: 288
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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