ZERO MINUS TEN

The author of The James Bond Bedside Companion (not reviewed) pits Agent 007 against worthy Pacific Basin opponents in a more than serviceable first thriller that could give Ian Fleming's ultracool hero yet another new lease on life. Dispatched to Hong Kong to halt a series of violent incidents that threaten the Crown Colony's mid-1997 return to the People's Republic of China, Bond first checks on Guy Thackeray, the fifth- generation head of a family shipping firm called EurAsia Enterprises. Although the SIS troubleshooter gets the goods on the shady businessman, the latter perishes (or appears to) in a car bombing. In next trying to tap underworld intelligence sources, 007 makes a nearly fatal mistake and is obliged to undertake a personal mission for triad chieftain Li Xu Nan. Against the odds, the master spy penetrates the PRC and returns alive, bearing papers that put Li in his debt. With help from the grateful crime boss, Bond heads down under to investigate a mysterious outback blast London has told him is not his affair. In due course, he finds a back-from- the-dead Thackeray at a remote uranium mine; to his horror, he learns that the embittered taipan (who's used EurAsia to make a great fortune in the drug trade) plans to put paid to the celebration of Hong Kong's handover by detonating a crude nuclear device on or near the island at midnight on June 30, 1997. Before 007 can beat the clock and save the showcase outpost of empire with an eleventh-hour dash through a crowded harbor, however, he must escape the clutches of a villainous captor and make it out of western Australia's famously inhospitable bush country. Benson's 007 is a chip off the old block and, if not a gilt- edged Bond, at least a double-A.

Pub Date: May 5, 1997

ISBN: 0-399-14257-6

Page Count: 288

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1997

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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