Suggesting that some things haven’t changed since the Stone Age, Briggs (A Bit More Bert, p. 1300, etc.) introduces a moon-faced lad who infuriates his clueless parents by insistently questioning things-as-they-are. To the despair and fury of his dad, Dug, and mom, Dugs, Ug is forever complaining about his stone trousers, wanting something nicer for breakfast than “cold bits of dead animal,” wondering whether the stream couldn’t be “bent” a bit closer to the family cave. He’s not all talk, either, though most of his bright ideas come to naught; his stone boat sinks, his wheel rolls down the hill but has no other apparent use, and though his father indulgently cuts trousers for him from animal hide, they aren’t wearable, as sewing hasn’t been invented. Briggs tells the tale in cartoon panels with dialogue balloons, footnoting his own anachronisms: “No one living in the Stone Age would know he was living in the Stone Age. He would believe he was living in the modern age. Today we believe we are living in the modern age. Time will tell.” Ultimately, Ug fulfills his mother’s dark prediction that he would end up painting on walls, and is last seen beneath his art, still pining for something better. Beneath the satiric barbs there’s a touch of poignancy to this tale of a da Vinci just a few dozen millennia ahead of his time. (Picture book. 8-11)
Pub Date: Oct. 8, 2002
ISBN: 0-375-91611-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
IN THE NEWS
The journey is even gently funny—Omakayas’s brother spends much of the year with a porcupine on his head. Charming and...
This third entry in the Birchbark House series takes Omakayas and her family west from their home on the Island of the Golden-Breasted Woodpecker, away from land the U.S. government has claimed.
Difficulties abound; the unknown landscape is fraught with danger, and they are nearing hostile Bwaanag territory. Omakayas’s family is not only close, but growing: The travelers adopt two young chimookoman (white) orphans along the way. When treachery leaves them starving and alone in a northern Minnesota winter, it will take all of their abilities and love to survive. The heartwarming account of Omakayas’s year of travel explores her changing family relationships and culminates in her first moon, the onset of puberty. It would be understandable if this darkest-yet entry in Erdrich’s response to the Little House books were touched by bitterness, yet this gladdening story details Omakayas’s coming-of-age with appealing optimism.
Pub Date: Sept. 1, 2008
ISBN: 978-0-06-029787-9
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
An uplifting, sympathetic portrayal of dyslexia and friendship.
A young dyslexic girl struggles with reading.
Stella Martinez can’t wait to start fifth grade. She and her BFFs, Latasha and Emiko, even get to sit together in Miss Marin’s class. But to Stella’s dismay, school soon feels like “one big reading class.” Even math, one of her favorite subjects besides art, has word problems, and the fifth grade project is a Young Authors Competition. Textbooks have longer words and fewer pictures, making comprehension time-consuming, and Stella falls behind. Even the new online universe for Stella and her friends’ favorite show, Witchlins, requires a guidebook, which Stella has trouble following. As her BFFs and classmates discuss the game, Stella feels left out. Will reading ruin her friendships? Garcia, who based Stella’s story on her daughter’s journey of coming to terms with dyslexia and her own experiences with neurodivergence, introduces a multifaceted protagonist with a learning disability and encouragingly highlights various coping strategies. Adults are warmly supportive, barring a dour, gray-haired, light-skinned librarian whose misconception that graphic novels aren’t “real” books is emphatically dispelled. In keeping with Miss Marin’s affirmation that “all brains work differently,” the book’s clear lettering, decodable text, and expressive art invite readers of all abilities to root for Stella. Stella and her dad and sibling are brown-skinned and cued Latine; Mom is pale-skinned. Latasha presents Black, Emiko is of East Asian descent, and Miss Marin has light-brown skin.
An uplifting, sympathetic portrayal of dyslexia and friendship. (resources, cover design process) (Graphic fiction. 8-11)Pub Date: Jan. 21, 2025
ISBN: 9781250840882
Page Count: 208
Publisher: First Second
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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