An impressive debut that, though it drags a bit in the middle, establishes a constant and ingeniously engrossing sense of...
A teenage girl and her Iranian lover, 17 years her senior, embark on a disturbing journey into the American Midwest.
Working as a candy striper in The Dalles Community Hospital in Oregon, 15-year-old Erika Etulain meets Dr. Majij Aziz, a repressed, bullied man from Iran in his early 30s. Compared to the boys in her tiresome junior high school, his maturity enchants her. Rebelling against staunch English parents, Erika rushes into the Iranian doctor’s arms, embarking with him on a road trip to Kansas, entering into sigheh, a temporary Shia marriage, so Majij can have sex with her guiltlessly. The cracks in this taboo coupling are immediate. Majij’s hope to shape Erika into the perfect Muslim wife whom he could take back to Iran is dashed by her rebellious spirit and inquisitive nature, to which he often violently reacts. Waiting for them in Topeka is Majij’s brother Hakim, whose devout fundamentalism demands much of his weak-willed sibling and his new wife. Hutson’s debut will predictably draw comparisons to Lolita, but the novel demonstrates a subtlety of tone and a skillful understanding of interpersonal relationships more reminiscent of Jane Austen than Vladimir Nabokov. The disquieting nature of their coupling is never romanticized, lending the narrative a clever, subdued quality so that otherwise banal happenings—a fart by Majij, an immature, sniping teenage comment from Erika—disturb not only the characters but the reader as well. The drawback to this approach is that the novel’s most important moments and its settings feel overly restrained, even generalized, in their portrayals, blunting emotional or violent outbursts by the characters and ironically making the novel feel its most inert when on the road. Though set before the events of 9/11, and never once uttering the word “terrorism,” the book draws heavily on real-world happenings in 1989, from the influence of the ayatollah to the first World Trade Center bombings, fostering a timely paranoia that addresses, if only superficially, both Islamophobia and fundamentalist Muslims’ fear of Western influences.
An impressive debut that, though it drags a bit in the middle, establishes a constant and ingeniously engrossing sense of discomfort.Pub Date: Jan. 13, 2014
ISBN: 978-0-615-80963-2
Page Count: 362
Publisher: Gilliss Books
Review Posted Online: March 24, 2014
Kirkus Reviews Issue: May 15, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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