by Raymond L Jones ‧ RELEASE DATE: Nov. 12, 2013
Respectful while maintaining an ebullient, sometimes-facetious tone, even in a war zone.
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Jones’ debut is a lighthearted autobiographical account of his time in the Army and endless dealings with those less bright or couth; as he affectionately dubs them, knuckleheads.
In his introduction, Jones acknowledges that his “intent is to entertain.” That’s exactly what he does with his memoir, a collection of often amusing anecdotes. The chronological order—from Jones’ first assignment in Germany in the early 1990s to his deployment in Iraq a decade later, culminating with his attempt to return to civilian life—gives the work a sense of cohesion. Most of the stories consist of the soldier getting “screwed” by superiors, such as the noncommissioned officer in charge who treats National Guard cadets like slaves with unrelenting chores. Retaliation comes in the form of pranks or a higher-ranked officer interceding on Jones’ behalf. But while tales of dense knuckleheads are funny, and the author admits to similar behavior on his own part—inadvertently using the women’s latrine, for one—the work sometimes leans toward haughtiness. Pride over his stellar score in front of the promotion board is understandable, but the narrator then mocks the only man who has scored higher, belittling his fondness for reading military manuals. Jones largely avoids using names, real or fake, which does make the book a smidgen impersonal, especially the few scenes that take place at home, as even his wife isn’t named. The military story has, as expected, a lot of shorthand and acronyms—anything from ranks to vehicles to weapons—and Jones does an exceptional job of clarifying most of them and ensuring that the reader acclimates to military parlance. Jones’ greatest, most hilarious bits are tucked away inside the longer accounts: His wife helps him peruse Army manuals and is such a quick study, she becomes a reference later for other officers; his hometown is so small, residents marry someone out of town to ensure they aren’t related; and he prefers avoiding snipers and IEDs to driving in Houston traffic.
Respectful while maintaining an ebullient, sometimes-facetious tone, even in a war zone.Pub Date: Nov. 12, 2013
ISBN: 978-1-4912-8887-0
Page Count: 148
Publisher: CreateSpace
Review Posted Online: March 27, 2014
Kirkus Reviews Issue: May 1, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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