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CHAINS OF TIME

A perceptive and gripping tale of race and family.

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An African American family with special powers battles a seemingly immortal White slave trader for over a century in this debut novel.

Terry Kelly is a 15-year-old African American teenager in Harlem. In some ways, he’s a typical teen, enduring a school bully and a father, Carl, who doesn’t treat him as favorably as his football-playing older brother, Jerome. But Terry, along with other family members, has a special ability. Regina, the youngest, who hasn’t spoken in two years, communicates with Terry telepathically, and he realizes he has a power he can use against the bully. In a concurrent narrative, starting 150 years earlier in 1860, Amara, an African woman, has a precognitive ability. She sees Hendrik Van Owen, an evil White man, force her and others into slavery on her wedding day, which she and her family sadly cannot prevent. In America, Amara is a slave on Van Owen’s tobacco farm until she runs away. But Van Owen, who has somehow acquired the same powers she and her fiance hone, obsessively pursues her, convinced she’s entirely his. As years turn into decades, he goes after Amara and her growing family, ultimately involving the Kellys in the present day. While Woodstone profoundly addresses modern African American struggles, the tale is equally dynamic in the supernatural and historical genres. Amara, for example, foresees and lives through the Civil War. Characters’ abilities, which aren’t immediately known, are often surprising. Mystery also plays a part in character development, from why Regina doesn’t speak to why Carl blames his oldest son, Warren, for the death of the family’s matriarch, Dara. Permeating the story are potent messages, both on the surface (“No African born in America can ever truly know freedom”) and inferred (pale, white-haired Van Owen, like the hatred he harbors, will not die easily). Despite several supernatural confrontations, violence is relatively muffled.

A perceptive and gripping tale of race and family.

Pub Date: July 5, 2020

ISBN: N/A

Page Count: 324

Publisher: Self

Review Posted Online: July 9, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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THE ACADEMY

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

A year in the life of the No. 2 boarding school in America—up from No. 19 last year!

Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

Pub Date: Sept. 16, 2025

ISBN: 9780316567855

Page Count: 432

Publisher: Little, Brown

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE LONELINESS OF SONIA AND SUNNY

A masterpiece.

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Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.

Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.

A masterpiece.

Pub Date: Sept. 23, 2025

ISBN: 9780307700155

Page Count: 704

Publisher: Hogarth

Review Posted Online: June 6, 2025

Kirkus Reviews Issue: July 15, 2025

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