More rollicking space adventures for lovable pirates.
Adda, Iridian, and their pirate friends escape a killer artificial intelligence only to fall prey to an insidious corporation.
Finally free of Barbary Station and the rogue AI that trapped them there in Barbary Station (2017), Captain Sloane leads the crew, Adda and Iridian included, back to the pirates’ home base on Vesta. Adda and Iridian asked the Captain to officiate their wedding, and they’re excited to start spending their pirate booty. Expecting a hero’s welcome, they are instead met by representatives of Oxia Corporation, which took over the minor planet in Sloane’s absence. Oxia coerces the crew into running some errands, like stealing a massive printer, hijacking a prototype ship, and forcing an astronomer to sign an Oxia contract. Meanwhile, Adda discovers that the AI from Barbary Station, AegiSKADA, is alive (so to speak). It’s less powerful and under Adda’s control but still dangerous. Adda, an AI specialist, knows she should just shut it down, but she’s too tempted by what she could learn from it, and she decides to keep AegiSKADA a secret. Eventually the pirates figure out why Oxia wanted that printer, ship, and astronomer, and the secret is big enough that the pirates may be able to use it to their advantage. But Adda and Iridian may not be able to trust Captain Sloane, and the strain of keeping AegiSKADA under control is getting to Adda. Oxia’s tasks provide plenty of excitement, like when the pirates steal not just the printer, but the entire lab housing it. The virtual space where Adda interacts with the AI is inventive and makes those passages easier for readers to parse. The characters mostly take a back seat to the action, but the ending sets up a compelling premise for the upcoming third novel.
More rollicking space adventures for lovable pirates.Pub Date: Oct. 16, 2018
ISBN: 978-1-4814-7689-8
Page Count: 480
Publisher: Saga/Simon & Schuster
Review Posted Online: Nov. 17, 2019
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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