by Rebecca Barry ‧ RELEASE DATE: April 7, 2015
A solid addition to the growing genre of short, witty essays written by women about having a career while trying to raise a...
Short takes on life from a writer and mother of small children.
Yearning for an ideal life, Barry (Later, at the Bar: A Novel in Stories, 2008) and her husband left New York City and good-paying jobs to buy a fixer-upper apartment building near the author’s hometown. Barry planned to write, and her husband planned to start a magazine. They would raise children, eat good food, visit with family and friends, and have a nice home with neighbors just across the hall. What they couldn’t foresee as they embarked on their dreams was the recession of 2008, which threw a corkscrew into their plans. Writing with honesty, a bit of humor and some self-despair, Barry delves into the highs and lows of being a work-at-home writer mom who struggles to balance hours spent writing a novel with the care of two small, rambunctious boys, the need for money and work at a time when no jobs were available, and the thousand other aspects that make up a normal life: trips to the coffee shop, fights with her husband and sister, maintaining a home, enjoying the holidays, etc. Her story reflects the angst felt by many women who try to juggle raising small children with having a career, whether that occupation entails leaving the home on a daily basis or working amid the chaos of a domestic household. The author also explores the overpowering joy one can feel at odd, brief moments when everything coalesces into beauty and love. Interspersed with a smattering of recipes, these short and pithy nuggets offer readers a glimpse into the fears and dreams of a modern woman who balanced work, marriage and kids to the best of her ability.
A solid addition to the growing genre of short, witty essays written by women about having a career while trying to raise a family.Pub Date: April 7, 2015
ISBN: 978-1-4165-9336-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Jan. 18, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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