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HEALING MADDIE BREES

A gorgeous meditation on broken bodies, fractured faith, and the soul-wrenching path to serenity.

As Maddie, a happily married mother of three young boys, faces breast cancer, she and her husband are pulled into the vortex of the past, where long-lost loves and troubled relationships with God collide.

Although she believed in God—after all, she was raised in the conservative Christian community of Bethel Hills Church of Holiness —15-year-old Maddie struggled to find her personal relationship with him. And long altar-calls, for those in need of extra pastoral attention, severely tested her patience. That is, until Vincent Elander —the popular quarterback, baseball star, and lady’s man of her high school—showed up in the pew ahead of her. Before she could process what was happening, Maddie found herself not only Vincent’s new girlfriend, but also partner to his powerful prayers. For it turned out that Vincent has been called to leave behind his bad-boy ways and given the power to heal by faith. His talents certainly came in handy when Maddie’s leg was broken in a car accident (not to mention several other community members healed by Vincent with Maddie by his side). Yet, the grown-up Maddie can’t bring herself to ask Vincent to heal her again. As she endures the indignities of modern medicine, Maddie plunges back into her memories, dredging up the roots of her doubts and Vincent’s own difficult relationship with his gift. Stevenson’s debut novel shifts dreamily between past and present narratives yet leaves several threads loose, perhaps setting up a sequel. Most powerfully, Stevenson links the physical to the spiritual, letting Maddie’s breast cancer open her to a spiritual journey, letting the veneration of the Eucharist open space for understanding illness, letting love for the mortal body open space for love of the divine.

A gorgeous meditation on broken bodies, fractured faith, and the soul-wrenching path to serenity.

Pub Date: Sept. 13, 2016

ISBN: 978-1-61153-174-9

Page Count: 310

Publisher: Light Messages

Review Posted Online: June 29, 2016

Kirkus Reviews Issue: July 15, 2016

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THE OYSTERVILLE SEWING CIRCLE

A lovely read—entertaining, poignant, and meaningful.

After facing tragedy and betrayal in New York, an aspiring fashion designer escapes to her idyllic Pacific coast hometown to raise her best friend’s two young children and finds inspiration, redemption, and love in the unexpected journey.

Caroline Shelby always dreamed of leaving tiny Oysterville, Washington, and becoming a couturier. After years of toil, she finally has a big break only to discover a famous designer has stolen her launch line. When she accuses him, he blackballs her, so she’s already struggling when her best friend, Angelique, a renowned model from Haiti whose work visa has expired, shows up on her doorstep with her two biracial children, running from an abusive partner she won’t identify. When Angelique dies of a drug overdose, Caroline takes custody of the kids and flees back to her hometown. She reconnects with her sprawling family and with Will and Sierra Jensen, who were once her best friends, though their relationships have grown more complicated since Will and Sierra married. Caroline feels guilty that she didn’t realize Angelique was abused and tries to make a difference when she discovers that people she knows in Oysterville are also victims of domestic violence. She creates a support group that becomes a welcome source of professional assistance when some designs she works on for the kids garner local interest that grows regional, then national. Meanwhile, restless Sierra pursues her own dreams, leading to Will and Caroline’s exploring some unresolved feelings. Wiggs’ latest is part revenge fantasy and part romantic fairy tale, and while some details feel too smooth—how fortunate that every person in the circle has some helpful occupation that benefits Caroline's business—Caroline has a challenging road, and she rises to it with compassion and resilience. Timelines alternating among the present and past, both recent and long ago, add tension and depth to a complex narrative that touches on the abuse of power toward women and the extra-high stakes when the women involved are undocumented. Finally, Wiggs writes about the children’s race and immigration status with a soft touch that feels natural and easygoing but that might seem unrealistic to some readers.

A lovely read—entertaining, poignant, and meaningful.

Pub Date: Aug. 13, 2019

ISBN: 978-0-06-242558-4

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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LITTLE FIRES EVERYWHERE

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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