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THE GOLDEN PRINCE

Although classified as historical fiction, this book is really a romance dressed in period clothes, and readers of the first...

Dean’s (Palace Circle, 2009) Golden Prince of Wales makes a romantic run at British court intrigue.

Rose, the auburn-tressed eldest Houghton girl, has a cute meet with the Prince of Wales. Driving home from Dartmouth with his disapproving equerry, the future king, whose family calls him “David,” takes a curve and accidentally knocks suffragette Rose off her bike. She’s the daughter of nobility who, along with her three sisters, lives at nearby Snowberry, a beautiful estate not far from the Prince’s university. The Prince takes her home and meets her three sisters: Iris, with her brown hair and crush on the boy next door, is the plainest of the three; Marigold, a titian-haired beauty, has few morals and a penchant for scandal; and the youngest sister, Lily, is an enchanting girl with blue-black ringlets. Lily is guileless and gifted with the ability to make every man who meets her fall in love with her. David finds immense joy in escaping his rigid palace life, where he is overwhelmed by the duties of his office. He falls for Lily and schemes to spend more time with her. When he proposes and she accepts, he runs up against immovable opposition in the form of his parents, the reining King George and Queen Mary. But David is determined to overcome their objections and sets out to do so. Based loosely on the life of the Duke of Windsor, who ruled as king for less than a year before abdicating his throne to marry a twice-divorced American, Dean offers an interesting glimpse into court life right after the turn of the previous century, but often the details overwhelm the story. Every item of clothing worn by the sisters is minutely described, as are their physical attributes. The writing itself is uninspired and cliché-ridden.

Although classified as historical fiction, this book is really a romance dressed in period clothes, and readers of the first genre may find the flashing eyes, deep kisses and heaving bosoms tiresome after awhile.

Pub Date: Dec. 21, 2010

ISBN: 978-0-7679-3056-7

Page Count: 416

Publisher: Broadway

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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