Despite the breathless delivery, this is a welcome contribution to the history of the anti-Nazi underground.
Historical biography of an American woman who led resistance groups against the Nazis before Hitler personally ordered her execution in 1943.
Donner’s subject is Mildred Harnack (1902-1943), who traveled to Germany in 1929 to obtain a doctorate in literature. She opposed Hitler even before he came to power in 1933 and spent 10 years in the resistance before her arrest and execution. Specific facts about the lives of people who aim to leave no evidence are hard to come by (“her aim was self-erasure”), but Donner has clearly worked hard in East German, Soviet, and recently released American archives to tell an impressive story. Living mostly in Berlin, Harnack earned money by lecturing, translating, and teaching English. In the first years of Nazi rule, when public opposition was possible, she made no secret of her beliefs and organized informal meetings in her apartment to “discuss Germany’s political climate.” After several years, her group moved underground and began active resistance, largely by printing and distributing leaflets. Many urged readers to sabotage military production. Harnack’s group came to be known as the Red Orchestra, but this was a name given by German intelligence. Orchestra described any enemy network, and Red labeled it as communist. Although sympathetic to the Soviet Union, Harnack may not have engaged directly in espionage. Others did, however, and it was an intercepted transmission from Moscow that provided information that led to her 1942 arrest. Harnack was a brave idealist, and she died for her beliefs, but Donner—like many historians of civilians who opposed Hitler—largely passes over the painful fact their efforts did not significantly inconvenience the Nazis. Mostly novelistic, the narrative contains some manufactured tension, melodrama, and passages of purple prose and paragraphs broken apart or clipped short to create a dramatic effect that feels forced.
Despite the breathless delivery, this is a welcome contribution to the history of the anti-Nazi underground.Pub Date: Aug. 3, 2021
ISBN: 978-0-316-56169-3
Page Count: 576
Publisher: Little, Brown
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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