by Rebecca Donner ‧ RELEASE DATE: Aug. 3, 2021
Despite the breathless delivery, this is a welcome contribution to the history of the anti-Nazi underground.
Historical biography of an American woman who led resistance groups against the Nazis before Hitler personally ordered her execution in 1943.
Donner’s subject is Mildred Harnack (1902-1943), who traveled to Germany in 1929 to obtain a doctorate in literature. She opposed Hitler even before he came to power in 1933 and spent 10 years in the resistance before her arrest and execution. Specific facts about the lives of people who aim to leave no evidence are hard to come by (“her aim was self-erasure”), but Donner has clearly worked hard in East German, Soviet, and recently released American archives to tell an impressive story. Living mostly in Berlin, Harnack earned money by lecturing, translating, and teaching English. In the first years of Nazi rule, when public opposition was possible, she made no secret of her beliefs and organized informal meetings in her apartment to “discuss Germany’s political climate.” After several years, her group moved underground and began active resistance, largely by printing and distributing leaflets. Many urged readers to sabotage military production. Harnack’s group came to be known as the Red Orchestra, but this was a name given by German intelligence. Orchestra described any enemy network, and Red labeled it as communist. Although sympathetic to the Soviet Union, Harnack may not have engaged directly in espionage. Others did, however, and it was an intercepted transmission from Moscow that provided information that led to her 1942 arrest. Harnack was a brave idealist, and she died for her beliefs, but Donner—like many historians of civilians who opposed Hitler—largely passes over the painful fact their efforts did not significantly inconvenience the Nazis. Mostly novelistic, the narrative contains some manufactured tension, melodrama, and passages of purple prose and paragraphs broken apart or clipped short to create a dramatic effect that feels forced.
Despite the breathless delivery, this is a welcome contribution to the history of the anti-Nazi underground.Pub Date: Aug. 3, 2021
ISBN: 978-0-316-56169-3
Page Count: 576
Publisher: Little, Brown
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Rebecca Donner & illustrated by Inaki Miranda
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by David Gibbins ‧ RELEASE DATE: April 2, 2024
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.
A popular novelist turns his hand to historical writing, focusing on what shipwrecks can tell us.
There’s something inherently romantic about shipwrecks: the mystery, the drama of disaster, the prospect of lost treasure. Gibbins, who’s found acclaim as an author of historical fiction, has long been fascinated with them, and his expertise in both archaeology and diving provides a tone of solid authority to his latest book. The author has personally dived on more than half the wrecks discussed in the book; for the other cases, he draws on historical records and accounts. “Wrecks offer special access to history at all…levels,” he writes. “Unlike many archaeological sites, a wreck represents a single event in which most of the objects were in use at that time and can often be closely dated. What might seem hazy in other evidence can be sharply defined, pointing the way to fresh insights.” Gibbins covers a wide variety of cases, including wrecks dating from classical times; a ship torpedoed during World War II; a Viking longship; a ship of Arab origin that foundered in Indonesian waters in the ninth century; the Mary Rose, the flagship of the navy of Henry VIII; and an Arctic exploring vessel, the Terror (for more on that ship, read Paul Watson’s Ice Ghost). Underwater excavation often produces valuable artifacts, but Gibbins is equally interested in the material that reveals the society of the time. He does an excellent job of placing each wreck within a broader context, as well as examining the human elements of the story. The result is a book that will appeal to readers with an interest in maritime history and who would enjoy a different, and enlightening, perspective.
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.Pub Date: April 2, 2024
ISBN: 9781250325372
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Nov. 28, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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