by Rebecca Emberley ; illustrated by Ed Emberley ‧ RELEASE DATE: Nov. 3, 2015
Children aren’t really the natural audience for this heartfelt tale of second chances; save it for over-40s just starting...
Robot love.
Because he can’t get his secondhand, gear-driven heart started one morning, lonely Rhoobart hobbles off on mismatched mechanical limbs to the Spare Parts Mart in fruitless hopes of finding a replacement. Eventually, hope gives way to despair, and he collapses: “His zipper lips chattered, / He rattled and clattered. / Now he was sure NOTHING mattered.” Enter Sweetart, “an energetic bit of metal / With just the right amount of tarnish,” who assures him that “you don’t need a new heart, you / just need a jump start!” So it proves, as sparks fly, and with Rhoobart’s heart thumping and rattling again, off they go together, singing a silly love song: “We’re all spare parts. / We’ve got secondhand hearts, / It’s true. / We go together like pickles and glue. / You stick to me, / I’ll stick to you.” Harmonizing with the brief narrative’s clanky rhymes, this plainly metaphorical encounter is set in a junkyard composed of jumbled masses of bent machinery, loose gears, and torn flat bits bearing obscure strings of numbers or battered words. Though likewise loose, the robotic figures are anthropomorphic enough for younger viewers to pick them out against the broken backdrop.
Children aren’t really the natural audience for this heartfelt tale of second chances; save it for over-40s just starting out again. (Picture book. 4-8)Pub Date: Nov. 3, 2015
ISBN: 978-1-59643-723-4
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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More by David Sayre
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by David Sayre ; illustrated by Rebecca Emberley
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illustrated by Rebecca Emberley ; Ed Emberley ; developed by Little Bahalia Publishing
BOOK REVIEW
by Ed Emberley ; illustrated by Rebecca Emberley
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
More by Riel Nason
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by Riel Nason ; illustrated by Byron Eggenschwiler
by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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More by Susan McElroy Montanari
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Jake Parker
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