Children aren’t really the natural audience for this heartfelt tale of second chances; save it for over-40s just starting...
Robot love.
Because he can’t get his secondhand, gear-driven heart started one morning, lonely Rhoobart hobbles off on mismatched mechanical limbs to the Spare Parts Mart in fruitless hopes of finding a replacement. Eventually, hope gives way to despair, and he collapses: “His zipper lips chattered, / He rattled and clattered. / Now he was sure NOTHING mattered.” Enter Sweetart, “an energetic bit of metal / With just the right amount of tarnish,” who assures him that “you don’t need a new heart, you / just need a jump start!” So it proves, as sparks fly, and with Rhoobart’s heart thumping and rattling again, off they go together, singing a silly love song: “We’re all spare parts. / We’ve got secondhand hearts, / It’s true. / We go together like pickles and glue. / You stick to me, / I’ll stick to you.” Harmonizing with the brief narrative’s clanky rhymes, this plainly metaphorical encounter is set in a junkyard composed of jumbled masses of bent machinery, loose gears, and torn flat bits bearing obscure strings of numbers or battered words. Though likewise loose, the robotic figures are anthropomorphic enough for younger viewers to pick them out against the broken backdrop.
Children aren’t really the natural audience for this heartfelt tale of second chances; save it for over-40s just starting out again. (Picture book. 4-8)Pub Date: Nov. 3, 2015
ISBN: 978-1-59643-723-4
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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