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EGGSHELL DAYS

Witty, deft, and delightful, with a light touch in the tradition of Cold Comfort Farm.

A winning debut about a group of British friends who decide to drop out of the rat race and move to the country—with predictably disastrous results.

Emmy, Niall, and Sita are old pals who live in London and think of rural life largely in terms of wedding receptions at posh churches in picturesque villages. After one of these, they share cabs back to the train station for the ride home and arrive just in time to miss their train—which goes on to crash en route in one of most horrific railway disasters in decades. It looks like a sign, especially in light of the fact that Emmy has just inherited a manor house in Cornwall. So the three friends set off to make new lives for themselves in the country. Accompanying them are Sita’s husband Jonathan, her two children, Niall’s girlfriend Kat, and Emmy’s daughter Maya. They pool their funds to finance certain major repairs and settle down to daily life in what is, in effect, a yuppie commune. Naturally, there are problems. Nobody really likes Kat, who is American, dimwitted, and oversexed; even Niall breathes a sigh of relief when she returns to London. Emmy, who had an affair with Niall years ago and is still in love with him, finds their enforced intimacy hard to bear. Niall, for his part, is uncomfortably aware that people think Emmy’s daughter (who looks very much like him) is his. Sita becomes annoyed that Jonathan is spending so much of his time restoring an abandoned chapel nearby—in the company of an attractive young lady from the Historic Buildings Association. And Maya just wishes her mother would tell her who her father is. Whatever made these people think they could get on together? Just chalk it up to the naïveté of city folk.

Witty, deft, and delightful, with a light touch in the tradition of Cold Comfort Farm.

Pub Date: Aug. 1, 2003

ISBN: 0-312-31041-2

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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