A layered and loving bildungsroman of friendship.
The loss of a friend from a group of childhood companions brings to light what has been hidden for 30 years.
Sally is Mikey’s first friend. Each living in a run-down neighborhood with single parents, they find in each other comfort and kindness. The rest of the neighborhood kids—Alice, Sam, Lynn, and Jimmy—join with the twosome in a group of playmates whose relationships will last a lifetime. They call themselves The Gunners, after the name on the mailbox outside the abandoned home that becomes their hideout. There, they “invented jokes and games and secret languages, made plans, made trouble, bad-mouthed their parents, played cards, gambled, told stories, plotted against bullies, bickered, made up, luxuriated in boredom, and dreamed of the lives they would one day live, far from Lackawanna.” Their group goes merrily on—growing up, learning more of the world, falling in love, drinking, exchanging secrets—until, all of sudden when they are 16, Sally dissociates from her friends completely, refusing to speak to them, avoiding their calls and efforts to engage. Fifteen years later, the group is reunited at Sally’s funeral. Mikey, who is suffering from early-onset macular degeneration, is the only one who never left Lackawanna, and he is at once happy to be with his friends once more and devastated by the second loss of Sally. Each member of the group is convinced it is his or her fault that Sally left them, both times. Each has changed greatly over the years and is grappling with where to go next. When startling secrets are revealed, Mikey has another layer of self-exploration and sadness to sift through. Kauffman (Another Place You’ve Never Been, 2017) has created vivid and compelling characters struggling with what is in some ways the most universal dilemma: how to grow up. Mikey especially is mature and thoughtful but not at all precious; and the boisterous, hilarious Alice is charming despite her best efforts to behave otherwise. In fluid prose, Kauffman lays bare the lessons of youth and truth.
A layered and loving bildungsroman of friendship.Pub Date: March 20, 2018
ISBN: 978-1-61902-989-7
Page Count: 272
Publisher: Counterpoint
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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