A smart, riveting environmental tale with a laudable adolescent cast.
In this debut middle-grade novel, a teenage girl fights an environmentally destructive development in her hometown, where a werewolf roams.
Thirteen-year-old Emma Murry loves nature and animals. She and her best friend, Sophie, are proud members of their middle school’s Environmental Club in Black Mountain, North Carolina, a place renowned for its monarch butterfly population. So they, like other locals, are horrified by the news that a ski resort is in the works. Its environmental impact will be devastating, starting with tearing down the community’s monarch butterfly garden. Some Black Mountain residents support the development, seeing it as an economic boost. The girls brainstorm ways to protest, and even act on some of them, before learning that action movie star of yesteryear Chester Scott is the one planning the resort; Emma’s been crushing on Chester’s teen son Jeb via Instagram. She forces herself to look past Jeb’s indisputable cuteness and sells him on Black Mountain’s natural beauty, hoping the boy can change his father’s mind. But when they discover a bizarre set of paw prints, Emma and Jeb become convinced that there’s a werewolf on the loose. Identifying the lycanthrope gives Emma another great excuse to spend time with Jeb and, while she’s at it, try to scare the resort developers away. There’s not much time, as the zoning meeting to greenlight the project takes place in only a week. It’s an uphill battle for Emma, but she knows her beloved environment is worth it.
Rebecca Laxton delivers a diverting, environment-friendly mystery. The werewolf subplot focuses more on investigation than scares; Emma first has to prove that a werewolf even exists before identifying its human counterpart. Further engaging plot threads emerge from the narrative as well, including a death threat against Chester, a wrongfully accused townsperson, and a character who turns up missing in the final act. Emma is an appealing young hero who shares a subtle romance with Jeb. She quickly sees him as more than a social media idol; the two connect over their love of skateboarding and their utter belief in the existence of a legendary shape-shifting creature. At the same time, there’s potential trouble between Emma and Sophie. Sophie doesn’t hide her animosity toward Jeb, and her perpetual negativity spoils some of the book’s lightheartedness. Descriptions are colorful; Emma, a painter, equates people’s traits with soothing hues (e.g., “buttery yellow”). Rebecca Laxton’s prose, meanwhile, engages multiple senses: “At lunchtime, the crowd flocked to the restaurants. The street smelled like hot bread, tangy oregano, and warm tomato sauce, making my stomach rumble.” There’s educational value, too, as Emma not only praises nature, but also notes for Jeb (and readers) things that harm the environment. Gracie Laxton’s black-and-white minimalist artwork prefaces each chapter. These unembellished illustrations and silhouettes leave lasting impressions of such things as a howling wolf and a wheels-up skateboard.
A smart, riveting environmental tale with a laudable adolescent cast.Pub Date: March 28, 2023
ISBN: 9781960146229
Page Count: 244
Publisher: Warren Publishing
Review Posted Online: Feb. 26, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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