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THE BEHEADING GAME

Brilliantly imagined, stylishly written, satisfyingly plotted, full of delicious surprises: all in all, hella fun.

The further adventures of Anne Boleyn, post-decapitation.

“First, learn you are in your own grave. Next, unwrap your headless body from its shroud. Then, unwrap your head.” Lehmann’s debut novel (following several collections of poetry) begins as Anne wakes up in a wooden box, climbs out, tucks her head under her arm, and leaves the church. She steals a boat and crosses the Thames to a rough neighborhood where she’s able to snag some sleeping woman’s sewing basket and reattach her head to her neck, covering it with a collar made from a silk cloth once used to swaddle her daughter, Elizabeth—she’d hidden it in her bodice on the way to her execution so she could be buried with it. Head in place, she goes out into the neighborhood to find something to eat and plot her revenge. The version of Anne that Lehmann has created is both familiar and novel: To the willful, passionate, ambitious character depicted in myriad historical and fictional accounts, she adds plenty of utterly original embroidery (this Anne is a bit of an intellectual, and also bi!). Fans of Wolf Hall will enjoy Lehmann’s versions of the many common characters, from Henry and Cromwell to Thomas Wyatt and Jane Seymour; though this book has a wild ghost-story premise, it ends up being just as convincing, and the prose has an ungaudy lyricism, a lucidity, and a timeless quality that stands up to Mantel’s. The various urban and rural settings are evoked with such convincing detail that we have no problem accepting the appearance of a white bull in the forest that follows the resurrected royal “like a puppy” and eventually becomes both transportation and security guard. Another invented character, a part-time prostitute named Alice whom our heroine meets on the streets early on, helps Anne out of many a jam and is the focus of a compelling plot line about friendship, social class, and women’s lot in 16th-century England.

Brilliantly imagined, stylishly written, satisfyingly plotted, full of delicious surprises: all in all, hella fun.

Pub Date: March 24, 2026

ISBN: 9798217086481

Page Count: 320

Publisher: Crown

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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