Well plotted, well written, and well designed to make its points.
Art imitates life: A podcast explores whether a man who has served more than 20 years in prison for the murder of a young woman was wrongfully convicted.
While Makkai's latest is likely inspired by the Adnan Syed/Serial story—in the news recently as Syed's conviction was vacated and he was released from prison—she has added intriguing layers of complication to her version. Bodie Kane, producer of a hit podcast about Hollywood starlets, has been invited back to Granby, the elite New Hampshire boarding school she graduated from in 1995, to teach a course on podcasting during the two-week “mini-mester” of January 2018. Among the topics Bodie suggests to her students is the murder of her classmate Thalia Keith, which occurred in the spring of their senior year on the night of the school musical. A Black man who worked for the school as an athletic trainer was convicted and imprisoned for the murder of the White Thalia, but doubts have fueled interest in the case ever since, including a 2005 episode of Dateline and a website promoting the view that the boyfriend did it, robbieserenhoisguilty.com. As Bodie works with her high schoolers to investigate, a major #MeToo–type scandal breaks in her own life, involving her partner, a well-known visual artist. Meanwhile, her return to Granby forces her to confront her troubled younger self: the ways she was affected by her disastrous childhood and her connection to a teacher who was certainly a predator and may even have been the murderer. Punctuating the story with lists of references to familiar crimes—“the one where” this or that happened—Makkai places the fictional murder in a societal context of violence against women and the obsession with true crime. Fans of The Great Believers (2018) should be forewarned that this book does not have the profound impact of its predecessor, partly because the emotions brought up by its topic are on the outrage-anger spectrum rather than the grief-sorrow one. Also, Makkai seems not to want us to fall in love with Bodie, who herself is a bit cold, but perhaps this is because the whole narrative is addressed to a “you” she is furious with.
Well plotted, well written, and well designed to make its points.Pub Date: Feb. 21, 2023
ISBN: 978-0-593-49014-3
Page Count: 448
Publisher: Viking
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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