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THE GREAT BELIEVERS

As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • Pulitzer Prize Finalist


  • Stonewall Book Awards Winner


  • National Book Award Finalist

Another ambitious change of pace for the versatile and accomplished Makkai (The Hundred-Year House, 2014, etc.), whose characters wrangle with the devastating impact of the AIDS epidemic at its height and in its aftermath.

In the first of two intertwined storylines, Yale and his live-in lover, Charlie, attend an unofficial wake for a dead friend, Nico, held simultaneously with his funeral service because his Cuban-American family has made it clear they don’t want any gay people there. It’s 1985, and Makkai stingingly re-creates the atmosphere of fear, prejudice, and sanctimonious finger-pointing surrounding the mortally afflicted gay community, even in a big city like Chicago. Nico’s younger sister, Fiona, has rejected their family and attached herself to his friends, with emotional consequences that become apparent in the second storyline, set 30 years later in Paris. As is often the case with paired stories, one of them initially seems more compelling, in this case Makkai’s vivid chronicle of Yale’s close-knit circle, of his fraught relationship with the obsessively jealous Charlie, and his pursuit of a potentially career-making donation for the university art gallery where he works in development. Fiona’s opaque feelings of guilt and regret as she searches for her estranged daughter, Claire, aren’t as engaging at first, but the 2015 narrative slowly unfolds to connect with the ordeals of Yale and his friends until we see that Fiona too is a traumatized survivor of the epidemic, bereft of her brother and so many other people she loved, to her lasting damage. As Makkai acknowledges in an author’s note, when a heterosexual woman writes a novel about AIDS, some may feel she has crossed “the line between allyship and appropriation.” On the contrary, her rich portraits of an array of big personalities and her affecting depiction of random, horrific death faced with varying degrees of gallantry make this tender, keening novel an impressive act of imaginative empathy.

As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.

Pub Date: June 19, 2018

ISBN: 978-0-7352-2352-3

Page Count: 432

Publisher: Viking

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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ABSOLUTE POWER

The mother of all presidential cover-ups is the centerpiece gimmick in this far-fetched thriller from first-novelist Baldacci, a Washington-based attorney. In the dead of night, while burgling an exurban Virginia mansion, career criminal Luther Whitney is forced to conceal himself in a walk-in closet when Christine Sullivan, the lady of the house, arrives in the bedroom he's ransacking with none other than Alan Richmond, President of the US. Through the one-way mirror, Luther watches the drunken couple engage in a bout of rough sex that gets out of hand, ending only when two Secret Service men respond to the Chief Executive's cries of distress and gun down the letter-opener-wielding Christy. Gloria Russell, Richmond's vaultingly ambitious chief of staff, orders the scene rigged to look like a break-in and departs with the still befuddled President, leaving Christy's corpse to be discovered at another time. Luther makes tracks as well, though not before being spotted on the run by agents from the bodyguard detail. Aware that he's shortened his life expectancy, Luther retains trusted friend Jack Graham, a former public defender, but doesn't tell him the whole story. When Luther's slain before he can be arraigned for Christy's murder, Jack concludes he's the designated fall guy in a major scandal. Meanwhile, little Gloria (together with two Secret Service shooters) hopes to erase all tracks that might lead to the White House. But the late Luther seems to have outsmarted her in advance with recurrent demands for hush money. The body count rises as Gloria's attack dogs and Jack search for the evidence cunning Luther's left to incriminate not only a venal Alan Richmond but his homicidal deputies. The not-with-a-bang-but-a-whimper climax provides an unsurprising answer to the question of whether a US president can get away with murder. For all its arresting premise, an overblown and tedious tale of capital sins. (Film rights to Castle Rock; Book-of-the-Month selection)

Pub Date: Jan. 18, 1996

ISBN: 0-446-51996-0

Page Count: 480

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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