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SCHADENFREUDE, A LOVE STORY

ME, THE GERMANS, AND 20 YEARS OF ATTEMPTED TRANSFORMATIONS, UNFORTUNATE MISCOMMUNICATIONS, AND HUMILIATING SITUATIONS THAT ONLY THEY HAVE WORDS FOR

Schuman’s droll, self-deprecating, wild life (so far) will find particular appeal with readers who enjoy memoirs that don’t...

The candid adventures of a plucky, German-obsessed American student.

Slate columnist Schuman’s youth in the 1990s plays out through the nine chapters of her hilarious memoir, her first book. The author titles each chapter with a relevant German word, reflecting a mood or event in her self-discovery and her vivid love for German culture, including an enduring, lifelong affinity for Franz Kafka—who, she notes, wasn’t German. During her senior year in high school, this self-proclaimed “nonpracticing half-Jew from Oregon” spent her time poring over SAT practice tests and nurturing a fawning obsession with Dylan, a handsome, “so brilliant and so pained” geek who found Schuman’s brainy awkwardness intellectually stimulating. But his college dreams and personal goals stagnated any progression in their relationship. The author plodded on at college as a German major and then fully immersed herself in the culture, grammar, and history of life abroad. A culture clash ensued immediately as her host family found Schuman’s new “postgrunge aesthetic” quite different from her introductory photograph. Surviving on her own with a newfound independence breathed new life into her travels, and she moved into a loft residence in Berlin as a vegetarian and “moderate smoker.” Highlights include a mishap involving the recovery of her lost passport, pithy social observations, and epiphanies about how hypocritical Germanic culture can be. “They will think nothing of telling you that you have gained weight,” she writes, “but in other situations, they have ironclad laws of politeness.” The author’s comparison of Prague’s post–Cold War metamorphosis to Gregor Samsa’s own transformation is creatively descriptive, as is her account of her anxiety at being perceived as having Imposter Syndrome while at graduate school in Southern California. Built on her inner angst and painstaking quest for self-discovery throughout her burgeoning adulthood, Schuman’s memoir is a comedic patchwork of quirky anecdotes written in smooth, sometimes-cocky prose, liberally sprinkled with free-flowing expletives and consistent sincerity.

Schuman’s droll, self-deprecating, wild life (so far) will find particular appeal with readers who enjoy memoirs that don’t take themselves too seriously.

Pub Date: Feb. 7, 2017

ISBN: 978-1-250-07757-8

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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