A well-crafted spy novel examines the perils of espionage’s foundation in personal relationships.
The intriguing story of a young woman’s espionage career during World War II weaves in a critique of the British class system.
What sort of people got recruited to be spies by Britain’s famed MI5 intelligence agency during World War II? This absorbing historical novel makes clear they weren’t much like James Bond. Evelyn Varley is a restless young woman living in London in 1939, working for a cosmetics company and making no use at all of her Oxford degree in German, when she’s invited for a rather mysterious job interview. She rapidly goes from typing up reports to infiltrating a group of Nazi sympathizers—and discovering a disturbing personal connection. Starford takes an interesting tack with Evelyn’s background. The daughter of a clerk and a homemaker, she attended a posh boarding school as a scholarship girl, which meant she would either suffer bullies or remake herself in the images of the upper-class girls who harassed her. She chose the latter and did it so well she got into Oxford and became a sort of second daughter to the family of her best friend, Sally—a family that’s one of the wealthiest in England. When Evelyn goes to work for MI5, she discovers others who, like her, are outsiders in the rigid British class system but have found ways to assimilate by assuming an identity, an essential part of spycraft. As the war looms, the challenge for Evelyn is assimilating with people she finds abhorrent. Most of the novel is set in the years just before and after Britain’s entry into the war. Occasional chapters flash-forward to 1948, when Evelyn is trying to put her life back together after some unnamed catastrophe and tentatively falling in love. The book is rich with historical details, right down to clothing styles and furnishings. The plot sometimes slows amid those details, but most of the book is well paced. The novel’s depiction of Evelyn’s career is exciting, but it also suggests the human cost: No matter how skilled her performances, to those above her in the social hierarchy, she’s expendable.
A well-crafted spy novel examines the perils of espionage’s foundation in personal relationships.Pub Date: June 1, 2021
ISBN: 978-0-06-303788-5
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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