by Rebecca Stead ‧ RELEASE DATE: July 14, 2009
Some might guess at the baffling, heart-pounding conclusion, but when all the sidewalk characters from Miranda’s Manhattan...
When Miranda’s best friend Sal gets punched by a strange kid, he abruptly stops speaking to her; then oddly prescient letters start arriving.
They ask for her help, saying, “I'm coming to save your friend's life, and my own.” Readers will immediately connect with Miranda’s fluid first-person narration, a mix of Manhattan street smarts and pre-teen innocence. She addresses the letter writer and recounts the weird events of her sixth-grade year, hoping to make sense of the crumpled notes. Miranda’s crystalline picture of her urban landscape will resonate with city teens and intrigue suburban kids. As the letters keep coming, Miranda clings to her favorite book, A Wrinkle in Time, and discusses time travel with Marcus, the nice, nerdy boy who punched Sal. Keen readers will notice Stead toying with time from the start, as Miranda writes in the present about past events that will determine her future.
Some might guess at the baffling, heart-pounding conclusion, but when all the sidewalk characters from Miranda’s Manhattan world converge amid mind-blowing revelations and cunning details, teen readers will circle back to the beginning and say, “Wow...cool.” (Fiction. 12 & up)Pub Date: July 14, 2009
ISBN: 978-0-385-73742-5
Page Count: 208
Publisher: Wendy Lamb/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
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by Rebecca Stead & Wendy Mass
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by Jonathan Swift & adapted by James Riordan & illustrated by Victor G. Ambrus ‧ RELEASE DATE: Oct. 10, 1992
Swift's account of Gulliver's captivity in Lilliput and Brobdingnag is considerably shortened and rephrased here, but Riordan expertly preserves the flavor of the original: upon reaching the temple where he is to stay, the intrepid traveler shamefacedly relieves himself before the tiny multitudes (though the more famous scene where he similarly puts out a palace fire is absent); later, he survives plenty of harrowing adventures, admiringly describing the societies in which he's stranded while taking subtle pokes (and not-so-subtle—``Englishmen are the nastiest race of odious little vermin that Nature ever suffered to crawl upon the surface of the earth,'' says the king of Brobdingnag) at his own, and at fashion and politics in general. Large or small, Gulliver cuts a heroic figure in Ambrus's pervasive, free-wheeling illustrations; other characters have exaggerated features and a comic air that lighten the satire and serves the narrative well. Swift's ax-grinding can be indigestible in large doses; like other abridged classics from this publisher and illustrator, a palatable, well-blended appetizer. (Fiction. 12-14)
Pub Date: Oct. 10, 1992
ISBN: 0-19-279897-9
Page Count: 94
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1992
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by Jonathan Swift & adapted by Digital Aria
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by Brandon Mull ‧ RELEASE DATE: Sept. 12, 2007
Four fifth-graders are recruited by a scheming magician in this hefty bonbon from the author of the Fablehaven tales. At first, Nate, Summer, Trevor and Pigeon think they have it good. Having asked them to help her recover a hidden treasure that (she says) belongs to her, Belinda White, friendly proprietor of a sweets shop that has just opened in their small town, provides some uncommon candies—like Moon Rocks, that give them the ability to jump like grasshoppers, and literally electrifying Shock Bits. When she begins asking them to commit certain burglaries, though, their exhilaration turns to unease, and rightly so; Mrs. White is actually after a draft from the Fountain of Youth that will make her the world’s most powerful magician. And, as it turns out, she isn’t the only magician who’s come to town—not even the only one whose magic is tied to sweets. Filling out the supporting cast with the requisite trio of bullies, plus magical minions of various (and sometimes gross) abilities, Mull trots his twist-laden plot forward to a well set-up climax. Leaving the door open an inch for sequels, he dishes up a crowd-pleaser as delicious—if not so weird—as Charlie and the Chocolate Factory . (Fantasy. 10-13)
Pub Date: Sept. 12, 2007
ISBN: 978-1-59038-783-2
Page Count: 416
Publisher: Shadow Mountain
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
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by Brandon Mull ; illustrated by Brandon Dorman
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