Though specifically targeting young writers, this upbeat handbook is a wonderful instruction guide for writers of any age as...

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A NaNoWriMo primer for young writers.

This instructional guide begins with an introduction from Jason Reynolds and an inspirational chapter assuring kids that their stories matter and are needed by the world. The following chapters provide step-by-step instruction to get a writer at any level ready to tackle the blank page. The chapter “Determine What Type of Writer You Are” provides a quick tutorial that affirms a diversity of writing habits that can be tamed to fit each individual’s writing practice. Once the writer is primed to begin, the next set of chapters helps lay the groundwork to write the novel: crafting the story plan and fleshing out characters as well as deconstructing the mechanics of plot and worldbuilding. Many chapters offer a “Dare Machine,” a series of writing exercises so varied that a young writer at any stage can easily engage with confidence and excitement. Once the writer is ready to tackle NaNoWriMo—to write a novel in four weeks—to fend off discouragement, each week’s guidance is prompted by a “PepTalk” written by different bestselling authors, including Daniel José Older, Celia C. Pérez, and Jennifer Niven.

Though specifically targeting young writers, this upbeat handbook is a wonderful instruction guide for writers of any age as well as a perfect text for any creative-writing classroom. (Nonfiction. 10 & up)

Pub Date: Aug. 27, 2019

ISBN: 978-0-451-48029-3

Page Count: 304

Publisher: Viking

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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THE ARABIAN NIGHTS

In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)

 

Pub Date: Dec. 1, 2010

ISBN: 978-1-84686-122-2

Page Count: 128

Publisher: Barefoot

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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A vivid mix of local color and tongue-in-cheek wit, albeit with loud sour notes.

HALF THE LIES YOU TELL ARE NOT TRUE

From a Labrador native, homespun “recitations” in equally homespun rhyme.

Written for oral performance (most are available as recordings) and easy to read aloud despite plenty of regional jargon, these 13 original yarns feature big dollops of wry humor. There’s fog thick enough to eat (“Mother used to dice it with pork fat and onions, / Or she’d mix it with mustard as a poultice for bunions”); the horrific consequences of trying to unclog a septic tank using a pump fitted with an old boat motor; and the experiences of a “Man of La Manche,” who is abducted not by aliens but Capt. Kirk, attempting to beam a moose up to the Enterprise. Recurring characters include 90-year-old “Super Nan,” who vanquishes a bullying polar bear at Bingo, and Uncle Jim Buckle. Paddon trips hard over the edges of good taste in “Berries,” a violent tale of a berry-picking war during which Jim takes a second wife, “a woman best described as Atilla the Hen,” after his first is killed by a land mine—but even that one comes to an uproarious climax, followed by an amicable resolution: “I guess blood’s…even thicker than jam.” It’s hard to tell from the small, roughly drawn figures in Major’s appropriately sober vignettes, but the (human) cast is likely all white. The glossary is extensive and essential for readers outside of Newfoundland and Labrador.

A vivid mix of local color and tongue-in-cheek wit, albeit with loud sour notes. (Verse tales. 11-15)

Pub Date: March 1, 2018

ISBN: 978-1-927917-15-2

Page Count: 88

Publisher: Running the Goat

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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