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THE CORAL THIEF

Skillfully embeds early 19th-century culture, history and attitudes into a story that flows like the Seine and floods the...

Stott (Ghostwalk, 2007, etc.) once again juxtaposes science with a tale of love, mystery and intrigue, setting this volatile mix against a backdrop of critical events in post-Revolutionary France.

Daniel Connor, whose dark curls and handsome face invite comparisons to the boys painted by Caravaggio, meets fascinating intellectual Lucienne and her small daughter Delphine in coach en route to Paris in 1815. The Emperor Napoleon has been vanquished and is on a ship bound for his place of exile on the island of Saint Helena, leaving behind a changing city. Former master criminal Jagot has risen to a position of power with the police, and this cunning, ruthless man has more than a passing interest in the exotic Lucienne. Daniel, a medical student, hopes to escape his tedious existence by landing a position as an assistant to the famous French naturalist Georges Cuvier; he carries with him letters of introduction, scientific notebooks, a priceless manuscript, some corals and a mammoth bone. His future in Paris looks grim when he awakes at the Barrier of Saint Denis on the city’s outskirts to find Lucienne and Delphine gone from the coach, along with his irreplaceable papers and specimens. After filing a complaint with Jagot at the Palais de Justice, Daniel discovers that Lucienne is not a thief (exactly), but she’s also not everything she seems. Her fascination with “transformism” (the philosophy of evolution) both compels and repels the classically educated Daniel. But he is increasingly drawn to the much older Lucienne, a survivor of the Revolution who “was perpetually both whispering secrets and withholding them.” Despite misgivings, Daniel risks his future in a gamble that will forever change the way he thinks.

Skillfully embeds early 19th-century culture, history and attitudes into a story that flows like the Seine and floods the senses.

Pub Date: Sept. 15, 2009

ISBN: 978-0-385-53146-7

Page Count: 304

Publisher: Spiegel & Grau

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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DEAD LAND

So fierce, ambitious, and far-reaching that it makes most other mysteries seem like so many petit fours.

V.I. Warshawski’s search for a homeless woman with a fraught past leads her deep into a series of political conspiracies that stretch over generations and continents.

Bernadine Fouchard, V.I.’s goddaughter, thinks that Lydia Zamir, whose songs about strong women she reveres, was shot dead along with her lover, Hector Palurdo, at a Kansas fundraiser four years ago. She’s only half right. The 17 victims ranch hand Arthur Morton shot in Horsethief Canyon include Palurdo but not Zamir, whom V.I. and Bernie happen to hear banging out haunting tunes on a toy piano under a Chicago railroad viaduct. But they glimpse her only momentarily before the traumatized musician flees and eventually disappears. Soon afterward, Bernie finds herself in trouble when the young man she’s been dating—Leo Prinz, a summer employee of SLICK, the South Lakefront Improvement Council—is murdered and she becomes a person of considerable interest to Sgt. Lenora Pizzello. The search for Lydia Zamir morphs into an investigation of her relationship with Palurdo, an activist against the Pinochet regime in Chile long before he was shot apparently at random. In the meantime, the disappearance of Simon Lensky, one of SLICK’s elected managers, throws a spotlight on the organization’s controversial proposal for a new landfill on the South Side. Everyone in the city seems to have strong opinions about the proposal, from Gifford Taggett, superintendent of the Chicago Park District, to Nobel Prize–winning economist Larry Nieland, to an inveterate protestor known only as Coop, who kicks off the story by vanishing after parking his dog with V.I., to her consternation and the ire of her neighbors and her own two dogs. As usual, Paretsky (Shell Game, 2018, etc.) is less interested in identifying whodunit than in uncovering a monstrous web of evil, and this web is one of her densest and most finely woven ever.

So fierce, ambitious, and far-reaching that it makes most other mysteries seem like so many petit fours.

Pub Date: April 21, 2020

ISBN: 978-0-06-243592-7

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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RIGHT BEHIND YOU

With its shaky armchair psychology and excessive plot threads, this is a series low point.

A teenager with a troubled past becomes the prime suspect in a string of brutal murders, but ex–FBI profiler Pierce Quincy and his partner, Rainie Conner, think there’s more to the story.

For the past three years, Pierce and Rainie have fostered Sharlah Nash, now 13, with the hope of soon adopting her. Sharlah’s childhood is the epitome of troubled: when she was 5, her drug-addict father killed her mother and then tried to kill her and her older brother, Telly, but Telly, then 9, bashed his head in with a baseball bat. The siblings were fostered apart, with Sharlah ending up with Pierce and Rainie, whose expertise as parents seems to come from their combined resumes as a former criminal profiler and cop, respectively. Telly, we learn in expansive flashbacks from the now-teenager’s point of view (Sharlah has her own, crowding an already packed narrative), bounced around before landing, age 17, with Frank and Sandra Duvall, a kind couple who are obviously not what they seem. In what appears to be an explosion of unexplained rage, Telly allegedly murders the Duvalls and then kills two people in a gas station before heading off into the Oregon woods, sparking a manhunt and fears that he’s coming after Sharlah. Pierce and Rainie (last seen in Say Goodbye, 2008) work with local law enforcement to build a psychological profile of the teen—which is questionable given the excessive amount of guesswork and second- and thirdhand information used—while trying to protect their daughter from harm.

With its shaky armchair psychology and excessive plot threads, this is a series low point.

Pub Date: Jan. 31, 2017

ISBN: 978-0-525-95458-3

Page Count: 400

Publisher: Dutton

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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