An exuberant and wondrous testimony to the power of one little brown boy’s imagination.
Some things need to be contagious.
Amadou, a young boy of African descent, can’t wait to accompany his teacher, Madame Minier, and his classmates to the zoo—a very old zoo “built for a king.” But even before the field trip, it’s clear that Amadou’s idea of what to do at the zoo and Madame Minier’s sit worlds apart. Dreaming distracts him from what’s actually happening in class, and waiting patiently in line for the train feels like an imposition to Amadou, who can hardly contain his excitement when he sees the zoo’s birds. Soon, Amadou’s imagination prompts him to call and dance with the flamingos. His teacher seems determined to get the children to lean animal facts from reading the signs, but Amadou is even more determined to observe and experience the animals. At this book’s opening, Walsh illustrates only Amadou in color, and everything and everyone else in sepia and white. As Amadou’s animal fantasies take over, the color spreads, first to two other students and eventually to all of the characters and all of the page. The children spend the day riding the elephants, crawling with the tortoise, wading with the hippo, and more, and at last, a swarm of colorful butterflies convinces Madame Minier that Amadou has had the right idea all along. Madame Minier presents white; Amadou’s classmates are diverse.
An exuberant and wondrous testimony to the power of one little brown boy’s imagination. (Picture book. 4-8)Pub Date: Sept. 8, 2020
ISBN: 978-1-62414-884-2
Page Count: 32
Publisher: Page Street
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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