Wells wallops every button in this sugary addition to the growing genre of Southern beauty parlor uplift fiction.
Wells (Ya-Yas in Bloom, 2005, etc.) leaves her Ya-Yas behind to chronicle the life of a Louisiana beautician with healing powers.
Calla Ponder, born in 1953, is raised in the small Cajun town of La Luna, where Calla’s beloved mother M’Dear teaches Calla to trust in the power of the Moon Lady. M’Dear and Calla’s Papa run a dance studio based on M’Dear’s belief in “dancing from the bottom of your heart.” M’Dear also has a salon on her front porch where Calla realizes she loves to help people by fixing their hair problems. Tragedy mars Calla’s idyllic childhood/adolescence when breast cancer strikes M’Dear, who dies with noble grace in 1970. Grief-stricken Calla remains plucky, buoyed by her long-term romance with Tuck, who lives with his grandparents in La Luna to escape his alcoholic mother and sadistic father. As she graduates from high school, her relationship with Tuck falters. Despite high SATs, Calla decides to attend beauty school to follow M’Dear’s example, while studious Tuck leaves for Stanford. He promises to write, but Calla never hears from him again. Heartbroken, she moves to New Orleans to attend L’Académie de Beauté de Crescent—Wells has no use for subtlety. Soon Calla is the prize protégé of Ricky Chalon, who recognizes her potential to raise hair care to “a healing art.” Calla fantasizes about marrying Ricky until she learns that he is gay and happily committed to lawyer Steve. Instead, she falls in love with Ricky’s hunky boat-captain cousin, Sweet, with whom she lives in marital bliss until he dies in a boat explosion caused by greedy oilmen. With the settlement Steve wins Calla, she moves back to La Luna to establish her hair practice. When Tuck, recently divorced, comes home for his grandfather’s funeral, she learns that his well-meaning but wrong-headed grandfather misdirected their letters to keep them apart. Naturally, love wins out.
Wells wallops every button in this sugary addition to the growing genre of Southern beauty parlor uplift fiction.Pub Date: July 7, 2009
ISBN: 978-0-06-017531-3
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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