Wells wallops every button in this sugary addition to the growing genre of Southern beauty parlor uplift fiction.
Wells (Ya-Yas in Bloom, 2005, etc.) leaves her Ya-Yas behind to chronicle the life of a Louisiana beautician with healing powers.
Calla Ponder, born in 1953, is raised in the small Cajun town of La Luna, where Calla’s beloved mother M’Dear teaches Calla to trust in the power of the Moon Lady. M’Dear and Calla’s Papa run a dance studio based on M’Dear’s belief in “dancing from the bottom of your heart.” M’Dear also has a salon on her front porch where Calla realizes she loves to help people by fixing their hair problems. Tragedy mars Calla’s idyllic childhood/adolescence when breast cancer strikes M’Dear, who dies with noble grace in 1970. Grief-stricken Calla remains plucky, buoyed by her long-term romance with Tuck, who lives with his grandparents in La Luna to escape his alcoholic mother and sadistic father. As she graduates from high school, her relationship with Tuck falters. Despite high SATs, Calla decides to attend beauty school to follow M’Dear’s example, while studious Tuck leaves for Stanford. He promises to write, but Calla never hears from him again. Heartbroken, she moves to New Orleans to attend L’Académie de Beauté de Crescent—Wells has no use for subtlety. Soon Calla is the prize protégé of Ricky Chalon, who recognizes her potential to raise hair care to “a healing art.” Calla fantasizes about marrying Ricky until she learns that he is gay and happily committed to lawyer Steve. Instead, she falls in love with Ricky’s hunky boat-captain cousin, Sweet, with whom she lives in marital bliss until he dies in a boat explosion caused by greedy oilmen. With the settlement Steve wins Calla, she moves back to La Luna to establish her hair practice. When Tuck, recently divorced, comes home for his grandfather’s funeral, she learns that his well-meaning but wrong-headed grandfather misdirected their letters to keep them apart. Naturally, love wins out.
Wells wallops every button in this sugary addition to the growing genre of Southern beauty parlor uplift fiction.Pub Date: July 7, 2009
ISBN: 978-0-06-017531-3
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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