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ROBERT B. PARKER'S THE BITTEREST PILL

Another highly professional canter around a familiar track that’s less mysterious than just plain sad.

The new generation of drugs comes to Paradise.

Until the day Heather Mackey took a lethal overdose of what turns out to be Fentanyl-enhanced heroin, everybody would have sworn the 17-year-old cheerleader was a logical candidate for Miss Massachusetts. Now her father, Paradise Selectman Steve Mackey, is uncharacteristically distraught; her mother, Patti Mackey, is beside herself; and even Chris Grimm, the fellow Paradise High student who sold her the fatal dose, is inconsolable. Not that anybody’s looking to console him. Soon after Police Chief Jesse Stone (Robert B. Parker’s Colorblind, 2018, etc.) notices the kid moping outside Heather’s viewing, Chris is whisked away by his supplier, Arakel Sarkassian, who ends up executing him to save him from more of the torture administered by Arakel’s sadistic underlings, who start their work convinced Chris has important information to share and end up not caring one way or the other. Jesse, who’s drifted into a casual but sweet affair with the local painter Maryglenn McCombs, follows his generally infallible instincts, which lead him to Heather’s friends and the staff of Paradise High, from new principal Virginia Wester on down. Not surprisingly, though, the scourge of opioids reaches far outside the schoolyard, and most of the victims of the bloodbath that ensues haven’t set foot in a classroom for quite a while. The most notable exception is a teacher who recruits new dealers from among the student body by seducing them—a teacher whose identity is the only big secret left for the climactic reveal, a disappointingly weightless one.

Another highly professional canter around a familiar track that’s less mysterious than just plain sad.

Pub Date: Sept. 10, 2019

ISBN: 978-0-399-57497-9

Page Count: 368

Publisher: Putnam

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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DEATH BY CHOCOLATE FROSTED DOUGHNUT

A treat for aficionados of shopkeeper-sleuth cozies.

Notch another corpse for Jacobia “Jake” Tiptree (Death by Chocolate Malted Milkshake, 2019, etc.).

After slowly working its way out of the red, Jake’s sweet shop is now one of the linchpins of the revitalized business district of Eastport, Maine. But she and her partner, Ellie White, are less than thrilled when Henry Hadlyme, star of the food tourism show Eat This! offers to include The Chocolate Moose on his podcast Eating on the Edge! which highlights off-the-beaten-track purveyors of New England fare. Hadlyme seems a little slimy to Jake and Ellie, and his interest in their treats seems less than sincere. But when he calls Jake “missy,” that’s it; the two chocolateers boot him out of their shop. He comes back with a vengeance—or at least, his corpse does. It turns up in the basement of the Moose with a stuffed parrot pinned to its shoulder and a cutlass jabbed through its chest in a gruesome nod to the ongoing Eastport Pirate Festival. Jake would love to present police chief Bob Arnold with a convenient alternative to charging her with Hadlyme’s murder. And there’s no dearth of suspects: A surreptitious trip to the Eat This! production trailer lets Jake know that pretty much everyone involved with the show hated Hadlyme. But finding out exactly who croaked the curmudgeon—and offering the chief some proof—proves to be a challenge to Jake’s and Ellie’s ingenuity, health, and welfare.

A treat for aficionados of shopkeeper-sleuth cozies.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4967-1134-2

Page Count: 240

Publisher: Kensington

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NOTHING VENTURED

An expert juggling act that ends with not one but two intercut trials. More, please.

His Clifton Chronicles (This Was a Man, 2017, etc.) complete, the indefatigable Archer launches a new series that follows a well-born police officer from his first assignment to (spoiler alert) his appointment as commissioner of the Metropolitan Police some volumes down the road.

William Warwick may have been born with a silver spoon in his mouth, but he’s done everything he can to declare his independence from his father, Sir Julian Warwick QC. When William, fresh out of King’s College with a degree in art history, announces his intention to enroll in Hendon Police College, his father realizes that he’ll have to count on William’s older sister, Grace, to carry on the family’s tradition in Her Majesty’s courts. Instead, guileless William patrols the streets of Lambeth until a chance remark lands him on DCI Bruce Lamont’s Art and Antiques unit under the watchful eye of Cmdr. Jack Hawksby. No fewer than four cases await his attention: the forger who signs first editions with the names of their famous authors; a series of even more accomplished forgeries of old masters paintings; a well-organized series of thefts of artworks by a gang whose leader prefers selling them back to the companies who’ve insured them and often don’t even report the thefts to the police; and a mysterious series of purchases of century-old silver by one Kevin Carter. His investigations take William across the path, and then into the bed, of Beth Rainsford, a research assistant at the Fitzmolean gallery, still reeling seven years after a priceless Rembrandt was stolen from its collection, most likely by landowner and self-styled farmer Miles Faulkner. As if to prevent William from getting even a moment’s sleep in between rounds of detection and decorous coupling, Beth unwillingly drags William into a fifth case, a 2-year-old murder whose verdict she has every reason to doubt. One of these cases will bring William up against Grace, whose withering cross-examination of him on the witness stand is a special highlight.

An expert juggling act that ends with not one but two intercut trials. More, please.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-20076-1

Page Count: 336

Publisher: St. Martin's

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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