Sweet and sympathetic.
Amira and her brother scan the sky, looking for the sliver-thin crescent moon that will tell them that Eid is the next day.
With her hands decorated, goody bags ready for kids at the masjid (Faruqi uses the Arabic term for mosque throughout), new Eid clothes, and the knowledge that she will be missing school to celebrate Eid, Amira is excited! But then she notices the flyer on the fridge and remembers tomorrow is Picture Day. She doesn’t want to miss her class picture! But the next day, “seeing the masjid, Amira’s sadness floated away. Her mouth popped open. She could hardly recognize it.” She’s happy during Eid prayers and when greeting friends and family—until she remembers Picture Day. But maybe there’s a way she can do both? Faruqi effectively builds up the excitement to celebrate Eid and balances it with Amira’s distress at missing Picture Day—readers will see that both are important. The characters and interactions at the masjid are real, reinforcing a community celebrating Eid, and so are Amira’s interactions with her classmates. Azim’s illustrations pair well with Faruqi’s words, focusing on facial expression as well as body language to highlight the mixed emotions: excitement, sadness, surprise. There is much diversity among the people at the masjid, including hijab styles, other attire, and racial presentation. Amira’s blue, mirror-bedecked shalwar kameez stands out. Her family is of South Asian heritage.
Sweet and sympathetic. (author's note, more about Eid, glossary) (Picture book. 4-8)Pub Date: April 13, 2021
ISBN: 978-0-8234-4019-1
Page Count: 40
Publisher: Holiday House
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
PERSPECTIVES
PERSPECTIVES
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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