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AMIRA'S PICTURE DAY

Sweet and sympathetic.

Amira and her brother scan the sky, looking for the sliver-thin crescent moon that will tell them that Eid is the next day.

With her hands decorated, goody bags ready for kids at the masjid (Faruqi uses the Arabic term for mosque throughout), new Eid clothes, and the knowledge that she will be missing school to celebrate Eid, Amira is excited! But then she notices the flyer on the fridge and remembers tomorrow is Picture Day. She doesn’t want to miss her class picture! But the next day, “seeing the masjid, Amira’s sadness floated away. Her mouth popped open. She could hardly recognize it.” She’s happy during Eid prayers and when greeting friends and family—until she remembers Picture Day. But maybe there’s a way she can do both? Faruqi effectively builds up the excitement to celebrate Eid and balances it with Amira’s distress at missing Picture Day—readers will see that both are important. The characters and interactions at the masjid are real, reinforcing a community celebrating Eid, and so are Amira’s interactions with her classmates. Azim’s illustrations pair well with Faruqi’s words, focusing on facial expression as well as body language to highlight the mixed emotions: excitement, sadness, surprise. There is much diversity among the people at the masjid, including hijab styles, other attire, and racial presentation. Amira’s blue, mirror-bedecked shalwar kameez stands out. Her family is of South Asian heritage.

Sweet and sympathetic. (author's note, more about Eid, glossary) (Picture book. 4-8)

Pub Date: April 13, 2021

ISBN: 978-0-8234-4019-1

Page Count: 40

Publisher: Holiday House

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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