THE ABUNDANCE CODES

Name: THE ABUNDANCE CODES
Author: Regan Hillyer
ISBN: 978-1-5445-1332-4

by Regan Hillyer and Juan Pablo Barahona ‧ RELEASE DATE: N/A

An elaborately structured and consistently intriguing set of codes to make the most out of life.

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Awards & Accolades

Our Verdict

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A debut guide offers a system of prompts and processes designed to discover readers’ potentials.

“It’s easy to become locked into the drudgery of everyday existence,” Hillyer and Barahona write in their highly detailed manual, “but the abundance codes will help you to become unlocked, and then you can achieve success in a way you’ve always wanted.” In the service of this goal, the authors have devised a system of 52 codes that unlock nine keys to that personal transformation, and in laying out the schemata, the authors stress that their advice is grounded in reality. “There’s no need to put on a white robe,” they assure their readers, “light a candle, burn some incense, and start chanting Bible verses or whispering your prayers by your bedside at night.” Instead, their “nine keys to life” are energetic areas that must be opened to experience abundance: health, mindset, emotion, relationships, passion, wealth, purpose, spirituality, and contribution. The authors’ beautifully designed book breaks these keys down in a modular fashion that rewards both a straight-through reading and a random picking and choosing of chapters. The keys also have “accelerators” that facilitate their implementation. Balancing this modular approach is a series of far more conventional insights the authors offer at regular intervals. They periodically remind readers of healthy personality basics like attitude: “You could be working extremely hard and accomplishing many things, but if your mindset isn't properly aligned, you will still face significant challenges, and it will be difficult to sustain abundance.” Even the book’s point-by-point method is deftly tempered by the authors, who stress that their program is a lifestyle rather than a quick fix: “Remember, you cannot just read about the codes and activate them once to realize the full benefits of them. That’s why a daily ritual is so important.” The guide’s sectioned and segmented layout has a curiously clarifying effect; readers will find a good deal of bracing food for thought in these pages.

An elaborately structured and consistently intriguing set of codes to make the most out of life.

Pub Date: N/A

ISBN: 978-1-5445-1332-4

Page Count: 328

Publisher: Lioncrest Publishing

Review Posted Online: May 3, 2019

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.