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BIG ENOUGH

Name: BIG ENOUGH
Author: Regina Linke
ISBN: 9780316531153

by Regina Linke ; illustrated by Regina Linke ‧ RELEASE DATE: April 1, 2025

A gentle adventure for big dreamers in small bodies.

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A Chinese boy “so small he often [gets] lost” must bring his family’s ox home from the fields on his own.

Ah-Fu sets off with Grandfather’s parting advice echoing in his mind: “Just don’t try to ride him…You’re not big enough to hold on yet.” The warnings compound as Ah-Fu encounters a flock of swallows and a frog with conflicting advice of their own: “Don’t try to lead him by the horns.” “Don’t try to herd him from behind.” Like Grandfather, the animals tell the boy he isn’t big enough to handle a stubborn, temperamental ox. When Ah-Fu finally comes face to face with the enormous ox, he is overwhelmed and flees in terror. As night falls, though, the timid ox finds Ah-Fu and asks for his help getting home. Soon, Ah-Fu realizes that he’s big enough to break the rules set by others to find his own way forward. The illustrations, painted digitally using traditional Chinese techniques, are by turns realistic and minimalist, then fantastical and lush, capturing an agrarian countryside filtered through the unbridled imagination of youth. This tale of quiet persistence, enhanced by the ox’s impressively expressive eyebrows, will strike a chord with young readers looking for their own burst of courage.

A gentle adventure for big dreamers in small bodies. (Picture book. 4-8)

Pub Date: April 1, 2025

ISBN: 9780316531153

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
LITTLE HELPER
by Regina Linke ; illustrated by Regina Linke

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
A PERFECT PLACE TO PLAY
by Tish Rabe ; illustrated by Jim Valeri

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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THE MOST MAGNIFICENT THING

by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

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Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)