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SOMEBODY’S SOMEONE

A MEMOIR

A searing visit to a Dickensian world of cruelty and indifference to children.

Debut memoirist Louise eloquently indicts a family and community that abused and neglected her.

Worst of all, the author states in her colloquial first-person narrative, they made her feel unwanted. Regina’s teenaged mother, Ruby, already had another daughter, born when she was 13, so the new baby was handed off to Big Mama, a foster mother in Austin, Texas, who provided the bare necessities for the children in her care. Beaten badly by Big Mama’s daughter, Regina ran away to the woman she believed to be her father’s mother, who was not only abusive but also unwilling to raise her; soon she was back with Big Mama. Louise describes a troubled childhood that included truancy and rape. Initially happy when she was moved from Big Mama to her biological mother, now living in North Carolina with two sons by another man, Regina soon learned that Ruby favored her sons, and she endured sexual and physical abuse from Ruby’s current boyfriend. She moved to California to be with her father, married to a white woman, but he was no better, and 12-year-old Regina landed in a county shelter. There, she met Claire Kennedy, an employee who treated her with kindness, appreciation, and growing affection. Regina wanted to stay in the shelter near Claire, but the authorities insisted she be placed in foster homes, oppressive and uncaring places from which she ran away. Another hurtful blow landed when her parents gave up custody and she became a ward of the state. Regina, whose experiences with black families had not been good, longed to live permanently with Claire, but the state objected to a white woman adopting her. The end of this volume, first in a planned pair, finds the traumatized girl still in limbo.

A searing visit to a Dickensian world of cruelty and indifference to children.

Pub Date: June 12, 2003

ISBN: 0-446-52910-9

Page Count: 368

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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