A serviceable biography of the black attorney/businessman whose accomplishments set a challenging standard for tycoons of any ethnic background. Before he died of brain cancer at age 50 early in 1993, Lewis had partially completed a memoir of his remarkable life and career. Drawing on these jottings, as well as on extensive interviews with his subject's close-knit family, friends, and associates, USA Today correspondent Walker offers a warts-and-all portrait of an irresistible force. From his East Baltimore boyhood on, the ultra- industrious Lewis planned, even schemed, to make himself a world- class success. Barely an average student at Virginia State, he finessed his way into Harvard Law School without even taking the entrance exam. After a two-year stint with the top-drawer Manhattan firm Paul, Weiss, Rifkind, Wharton & Garrison, he struck out on his own. Serving a lengthy apprenticeship as a specialist in minority- enterprise small-business-investment corporations, Lewis learned enough to become a player in the great takeover game that preoccupied Wall Street during the 1980s. After a couple of false starts, he masterminded a leveraged buyout of McCall Pattern Co., which in a few years yielded him and fellow investors a 90-to-1 return. With a little help from his friend Michael Milken, he went on to engineer another coup—the LBO for nearly one billion dollars of Beatrice International Foods. At the time of his death, Lewis had the Paris-based enterprise operating on an enviably profitable basis throughout Europe. This account of Lewis's achievements emphasizes his tough- minded, goal-oriented approach to personal and philanthropic as well as financial affairs. (16 pages of 28 photos, not seen) (First serial to Black Enterprise)

Pub Date: Nov. 18, 1994

ISBN: 0-471-04227-7

Page Count: 256

Publisher: Wiley

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.


New York Times columnist and editorial board member delivers a slim book for aspiring writers, offering saws and sense, wisdom and waggery, biases and biting sarcasm.

Klinkenborg (Timothy; or, Notes of an Abject Reptile, 2006), who’s taught for decades, endeavors to keep things simple in his prose, and he urges other writers to do the same. (Note: He despises abuses of the word as, as he continually reminds readers.) In the early sections, the author ignores traditional paragraphing so that the text resembles a long free-verse poem. He urges readers to use short, clear sentences and to make sure each one is healthy before moving on; notes that it’s acceptable to start sentences with and and but; sees benefits in diagramming sentences; stresses that all writing is revision; periodically blasts the formulaic writing that many (most?) students learn in school; argues that knowing where you’re headed before you begin might be good for a vacation, but not for a piece of writing; and believes that writers must trust readers more, and trust themselves. Most of Klinkenborg’s advice is neither radical nor especially profound (“Turn to the poets. / Learn from them”), and the text suffers from a corrosive fallacy: that if his strategies work for him they will work for all. The final fifth of the text includes some passages from writers he admires (McPhee, Oates, Cheever) and some of his students’ awkward sentences, which he treats analytically but sometimes with a surprising sarcasm that veers near meanness. He includes examples of students’ dangling modifiers, malapropisms, errors of pronoun agreement, wordiness and other mistakes.

Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-26634-7

Page Count: 224

Publisher: Knopf

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: June 15, 2012

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