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UNDERWORLD

Hill's Yorkshire police-procedurals are unusually varied, from the black-comedy of Exit Lines to the psychodrama of A Killing Kindness. This new episode, set in and around a mining village, is an ironic yet somber blend of sociology, darkish humor, and classy soap-opera—as Sgt. Peter Pascoe's investigation becomes shadowed by his wife Ellie's relationship with a handsome young miner. The tiny burg of Burrthorpe is haunted by the memory of two recent tragedies: the disappearance of wee Tracey Pedley, presumed to have been one of the victims of a serial-killer who more or less confessed before committing suicide; and the death—soon thereafter—of mine-veteran Billy Farr in a fatal fall. Then the specter quickly worsens—when evidence emerges to prove that the serial-killer couldn't have murdered little Tracey. Who did, then? Could it have been (as some whisper) old Billy, who doted on the girl? Was his "fall" suicide. . .or? And do these old crimes connect to the brand-new murder of a miners' deputy named Satterthwaite? A prime suspect is Billy's wild, good-looking son Colin, angry defender of his father's reputation and Satterthwaite's rival for the adulterous favors of a local sexpot. Also, Colin is the standout pupil in a once-a-week writing class taught by left-wing do-gooder Ellie Pascoe, who finds herself protecting Colin from the cops (including husband Peter) while being undeniably attracted to this plebeian Adonis. So there'll be lots of very personal tension before the finale—when Pascoe and fat boss Andy Dalziel wind up chasing both Colin and another suspect through perilous mine-shafts. Textured, too, with police-department politics, gritty atmosphere, and earthy pubtalk: the richest, strongest Hill since Ruling Passion a decade ago.

Pub Date: June 27, 1988

ISBN: 0446345342

Page Count: 288

Publisher: Scribner

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: May 15, 1988

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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REMEMBER WHEN

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...

Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.

Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.

Pub Date: Sept. 1, 2003

ISBN: 0-399-15106-0

Page Count: 448

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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