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JOAN OF ARC

HER STORY

A useful and innovative documentary history of the15th-century French insurrectionist. Pernoud, who died in April, has supplemented her previous biography, Joan of Arc (1966), by offering readers this annotated explanation of the controversial saint’s historical record. It isn—t a biography per se and doesn’t follow the standard biographical format of piecing together the available sources to present readers with a chronological narrative. Rather, Pernoud and Clin introduce readers to Joan as she has appeared in various documents, such as the one, contemporary with her lifetime, referring to her as a French peasant girl gathering armed forces to augment the beleaguered ranks of the dauphin’s regiment. Information about her birth and childhood is unveiled only in chapter nine, since Joan rose from relative obscurity, and since no one cared enough to inquire formally into her origins until almost three decades after her death. The approach of Pernoud and Clin, both independent scholars in France, thus offers valuable insight into the nature of history and its practices; documents, as their book demonstrates, should always be weighed carefully against one another when any past event is being interpreted. The authors note that while many legends have emerged about Joan (the third section delves into some of these), more verifiable factual information exists about her than about Plato, Julius Caesar, or Jesus. The details of her military leadership at age 17, her imprisonment and trial, and her execution at the stake at 19 are all surprisingly well attested by letters (three penned by Joan herself), trial transcripts, contemporary histories, and ecclesiastical records. Pernoud and Clin are perhaps overly sympathetic to Joan’s crusade and to the woman herself; her courage is described in almost hagiographic terms. Still, their well-crafted book also permits us to eyeball the documents and draw our own conclusions. Intriguing not only for Joan’s timeless enigma, but for an unusual methodology, which illuminates the detective work by which historians synthesize usable narratives.

Pub Date: Feb. 1, 1999

ISBN: 0-312-21442-1

Page Count: 300

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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