A coming-of-age tale that is both comforting and wonderfully peculiar.

SÉANCE TEA PARTY

As a girl struggles to navigate adolescence, she finds support from an unlikely source.

In this graphic novel, 12-year-old Lora Xi finds herself increasingly isolated. While her best friend and her classmates seem obsessed with parties, boys, and texting, her interests have remained fixed on witches, ghosts, and nostalgic activities of childhood. While throwing herself a séance tea party in the attic, she discovers a ghost, a girl about her age, named Alexa. The two become fast friends, with Alexa gently prodding Lora to reach out to peers and slowly engage in more social events. The energetic, flowing graphics embellished with colorful details reveal complex narratives for both characters. With the help of some old friends, Alexa eventually discovers more about her long-forgotten past, having lived in the same town 50 years prior. Lora finds the courage to participate in more social events while staying authentic. But the two friends gradually find their goals diverging, which leads to an emotional climax. While this is Yee’s middle-grade debut, she is a veteran of comic books, and it shows. She artfully balances complex character arcs and suspense while bringing a touch of fantasy and wonder without overcrowding the plot. Lora is of Chinese descent, and Alexa is White; Lora’s middle-class North American community is vibrantly diverse.

A coming-of-age tale that is both comforting and wonderfully peculiar. (author's note) (Graphic fantasy. 9-12)

Pub Date: Sept. 15, 2020

ISBN: 978-0-593-12532-8

Page Count: 272

Publisher: Random House

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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A didactic blueprint disguised as a supernatural treasure map.

GHOST GIRL

A girl who delights in the macabre harnesses her inherited supernatural ability.

It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.

A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-304460-9

Page Count: 288

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 10, 2021

Kirkus Reviews Issue: July 1, 2021

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Pratchett-like worldbuilding centers immigrant kids in a story filled with culture, humor, and heart.

THE YEAR I FLEW AWAY

At home in Haiti, 10-year-old Gabrielle Marie Jean loves the rain, scary stories, beating the boys in mango-eating contests, and her family, most of all.

When her parents’ paperwork issues mean she must immigrate to the United States alone, every heavenly thing she believes about America can’t outweigh the sense of dread she feels in leaving everything she knows behind. A preternaturally sensitive child, Gabrielle feels responsible for not only her own success, but her whole family’s, so the stakes of moving in with her uncle, aunt, and cousins in Brooklyn are high—even before Lady Lydia, a witch, tries to steal her essence. Lydia makes her an offer she can’t refuse: achieving assimilation. Arnold skillfully fuses distinct immigrant experiences with the supernatural to express a universally felt desire for belonging. Gabrielle desperately wants to fit in despite the xenophobia she experiences every day and despite making new, accepting friends in Mexican American Carmen and Rocky the talking rat-rabbit. But in trying to change herself, Gabrielle risks giving Lydia the power to conquer Brooklyn. Gabrielle is a charming narrator, and of course, good guy (girl) magic wins out in the end, but the threat to immigrant lives and identities is presented poignantly nonetheless in this richly imaginative origin story of one Haitian American girl that offers a fantastical take on immigrant narratives.

Pratchett-like worldbuilding centers immigrant kids in a story filled with culture, humor, and heart. (Fiction. 9-12)

Pub Date: Feb. 2, 2021

ISBN: 978-0-358-27275-5

Page Count: 256

Publisher: Versify/HMH

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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