Unresolved conflicts and lack of character growth let down a promising premise.
Romantic and interpersonal tensions come to a head for a group of friends during a spring semester at college.
This graphic novel opens on a snowy evening at Hillock College, where the semester is off to a bumpy start for Molly Song and her friend Lou Kingston. Molly is reeling from a recent breakup with her girlfriend, Olene Reed, who dumped Molly via email from the plane to Europe, where she’s spending the semester studying in France. Also in France? Lou’s ex, Yona Escobar. Though Yona is conflicted about her breakup with Lou, Olene is determined that they let go of past baggage and make the most of their time abroad. Through shopping trips, selfies, and a spontaneous kiss on the dance floor at a local lesbian bar, Yona soon realizes she has romantic feelings for Olene. But Olene is keeping a big secret that may change their relationship forever. Back on campus, Molly is still wallowing when her roommate, Jackie Holman, invites her to a party at her ex Anjali’s house. Molly agrees to go, with Lou in tow, in the hopes that they can find some rebound girlfriends. But when Lou becomes instantly infatuated with Anjali, Molly can’t help but feel jealous. And as her affection for Lou grows, Molly makes a decision that upends her life at Hillock once again. A charming, loose art style adds some levity to the novel’s heavier themes, and the color palette—shades of blue, purple, pink, and orange—beautifully mirrors the ever-shifting and deeply felt emotional states of the characters. But while the author is deft at exploring the nuances of complicated relationships, with a particular focus on queer identity, the characters don’t have much substance beyond their romantic motivations.
Unresolved conflicts and lack of character growth let down a promising premise.Pub Date: Dec. 17, 2024
ISBN: 9781637155264
Page Count: 224
Publisher: Oni Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Utterly charming and swoonworthy.
Two beloved characters from artist Eunnie’s Instagram feed get a full-length graphic novel treatment.
Readers meet college student Momo just as she’s about to encounter PG for the first time. It’s not an ideal meet-cute, however. Momo is doing her friend Kayla a favor by dropping off some class notes at Kayla’s friend Lea’s dorm room. When scantily clad PG answers the door, Momo is immediately flustered by how gorgeous she is—but she learns that PG has a reputation for seducing women and avoiding serious commitments, the exact opposite of Momo, who’s never dated anyone. Still, after witnessing a fraught situation at a nightclub, Momo overcomes her shyness to check on PG. They have an open conversation and a romantic dance. Running into each other around town turns into texting, which turns into mutual big feelings. Readers will fall in love with both young women as they fall in love with each other. Their conflicts give them depth and feel believable for their stage of life, their different but equally relatable backstories are fleshed out, and the satisfying resolution inspires happiness. Well-developed friendships play smaller but still important roles. The appealing artwork features clean, pastel-tinted backgrounds and doe-eyed characters with expressive faces. Momo has dark brown skin and wavy brown hair; PG is Vietnamese American.
Utterly charming and swoonworthy. (Graphic romance. 14-adult)Pub Date: Oct. 17, 2023
ISBN: 9780593403228
Page Count: 336
Publisher: Viking
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Immensely enjoyable.
The debut graphic novel from Mohamed presents a modern Egypt full of magical realism where wishes have been industrialized and heavily regulated.
The story opens with a televised public service announcement from the General Committee of Wish Supervision and Licensing about the dangers of “third-class wishes”—wishes that come in soda cans and tend to backfire on wishers who aren’t specific enough (like a wish to lose weight resulting in limbs falling from the wisher’s body). Thus begins a brilliant play among magic, the mundane, and bureaucracy that centers around a newsstand kiosk where a devout Muslim is trying to unload the three “first-class wishes” (contained in elegant glass bottles and properly licensed by the government) that have come into his possession, since he believes his religion forbids him to use them. As he gradually unloads the first-class wishes on a poor, regretful widow (who then runs afoul of authorities determined to manipulate her out of her valuable commodity) and a university student who seeks a possibly magical solution to their mental health crisis (but struggles with whether a wish to always be happy might have unintended consequences), interstitials give infographic histories of wishes, showing how the Western wish-industrial complex has exploited the countries where wishes are mined (largely in the Middle East). The book is exceptionally imaginative while also being wonderfully grounded in touching human relationships, existential quandaries, and familiar geopolitical and socio-economic dynamics. Mohamed’s art balances perfectly between cartoon and realism, powerfully conveying emotions, and her strong, clean lines gorgeously depict everything from an anguished face to an ornate bottle. Charts and graphs nicely break up the reading experience while also concisely building this larger world of everyday wishes. Mohamed has a great sense of humor, which comes out in footnotes and casual asides throughout.
Immensely enjoyable.Pub Date: Jan. 10, 2023
ISBN: 978-1-524-74841-8
Page Count: 528
Publisher: Pantheon
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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