Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

DEATH BY CHAOS

A sublime portrayal of an unfaltering friendship in the face of adversity.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this debut novel, three women at their 20-year college reunion reexamine details surrounding a death their friend and former roommate supposedly caused.

In 1969, four new roommates at the Parnassus Canyon University in California hit it off almost immediately. Tasha Marie Goldberg, Elizabeth Adams, Dawn Wolfe, and Miranda Taylor are all bright, distinctive, and ambitious. But Tasha has her share of troubles and, in her senior year, goes to Kip Morgan for the answers to the upcoming biology midterm. During their secret rendezvous, Miranda jogs past, and loathsome, switchblade-wielding Kip aggressively taunts and pursues her before he fatally falls from bleachers. Though Tasha witnesses it, Miranda wants to avoid the authorities. Kip is the son of John Morgan, the board of trustees president, while Miranda, a reporter for the school newspaper, wrote a scathing investigative piece on the local police. She’s also certain Tasha’s promiscuity and academic cheating will negate her witness statement. When Kip’s friends spot Miranda, she flees and subsequently becomes a murder suspect. Reports of the death reveal John’s frightening influence: Kip reputedly suffered multiple stab wounds, which Tasha knows isn’t true. Years pass, and Miranda, still in hiding, leaves annual cryptic messages for Tasha (including a bouquet and an accompanying movie quote). Tasha, Elizabeth, and Dawn meet every year. During their 20-year PCU reunion, handsome biker Roger Gala catches their attention. He expresses an apparent interest in each woman as well as Miranda’s case. This renews the friends’ curiosity about the matter, and soon Elizabeth and Dawn may learn what Tasha has always known.

West’s concise writing throughout produces a brisk, descriptive novel. She quickly establishes the characters of the four roommates, whose social classes, life experiences, and temperaments noticeably vary. They essentially define their personalities by equating themselves with goddesses; Miranda chooses Eris, the goddess of discord. This leads to their endearing group name of “goddesses,” which they continue using years later. But the story ultimately centers on Tasha, who becomes a successful actor and marries TV director Jacob Felding. It’s somewhat disappointing since Elizabeth and Dawn are equally absorbing. Dawn, for one, who was conceived when White men gang-raped her Navajo mother, has a generally tranquil disposition and, fittingly, becomes a therapist. The fateful scene Tasha witnesses is suitably unsettling: Kip tries goading Miranda with homophobic slurs but adds a new, terrifying element by pulling out a switchblade. Similarly, the tense aftermath entails more than one person being deceitful. Although there’s no mystery with regard to Kip’s accidental death, there are a couple of enigmatic characters deftly inserted into the mix. For example, Miranda suggests that Tasha can trust one of her sources, whom she refers to only as the Marlboro Man. Roger, too, is initially puzzling, as he suddenly appears in the women’s lives, but readers will likely guess his link to Miranda’s case. The vivid final act deals with possibly clearing Miranda’s name as well as uncovering where she has been for two decades. Nevertheless, the author allows some questions to linger by the memorable denouement.

A sublime portrayal of an unfaltering friendship in the face of adversity. (dedication, author bio)

Pub Date: N/A

ISBN: N/A

Page Count: 208

Publisher: Manuscript

Review Posted Online: Aug. 12, 2020

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

Close Quickview