by Renaii West ‧ RELEASE DATE: N/A
A sublime portrayal of an unfaltering friendship in the face of adversity.
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In this debut novel, three women at their 20-year college reunion reexamine details surrounding a death their friend and former roommate supposedly caused.
In 1969, four new roommates at the Parnassus Canyon University in California hit it off almost immediately. Tasha Marie Goldberg, Elizabeth Adams, Dawn Wolfe, and Miranda Taylor are all bright, distinctive, and ambitious. But Tasha has her share of troubles and, in her senior year, goes to Kip Morgan for the answers to the upcoming biology midterm. During their secret rendezvous, Miranda jogs past, and loathsome, switchblade-wielding Kip aggressively taunts and pursues her before he fatally falls from bleachers. Though Tasha witnesses it, Miranda wants to avoid the authorities. Kip is the son of John Morgan, the board of trustees president, while Miranda, a reporter for the school newspaper, wrote a scathing investigative piece on the local police. She’s also certain Tasha’s promiscuity and academic cheating will negate her witness statement. When Kip’s friends spot Miranda, she flees and subsequently becomes a murder suspect. Reports of the death reveal John’s frightening influence: Kip reputedly suffered multiple stab wounds, which Tasha knows isn’t true. Years pass, and Miranda, still in hiding, leaves annual cryptic messages for Tasha (including a bouquet and an accompanying movie quote). Tasha, Elizabeth, and Dawn meet every year. During their 20-year PCU reunion, handsome biker Roger Gala catches their attention. He expresses an apparent interest in each woman as well as Miranda’s case. This renews the friends’ curiosity about the matter, and soon Elizabeth and Dawn may learn what Tasha has always known.
West’s concise writing throughout produces a brisk, descriptive novel. She quickly establishes the characters of the four roommates, whose social classes, life experiences, and temperaments noticeably vary. They essentially define their personalities by equating themselves with goddesses; Miranda chooses Eris, the goddess of discord. This leads to their endearing group name of “goddesses,” which they continue using years later. But the story ultimately centers on Tasha, who becomes a successful actor and marries TV director Jacob Felding. It’s somewhat disappointing since Elizabeth and Dawn are equally absorbing. Dawn, for one, who was conceived when White men gang-raped her Navajo mother, has a generally tranquil disposition and, fittingly, becomes a therapist. The fateful scene Tasha witnesses is suitably unsettling: Kip tries goading Miranda with homophobic slurs but adds a new, terrifying element by pulling out a switchblade. Similarly, the tense aftermath entails more than one person being deceitful. Although there’s no mystery with regard to Kip’s accidental death, there are a couple of enigmatic characters deftly inserted into the mix. For example, Miranda suggests that Tasha can trust one of her sources, whom she refers to only as the Marlboro Man. Roger, too, is initially puzzling, as he suddenly appears in the women’s lives, but readers will likely guess his link to Miranda’s case. The vivid final act deals with possibly clearing Miranda’s name as well as uncovering where she has been for two decades. Nevertheless, the author allows some questions to linger by the memorable denouement.
A sublime portrayal of an unfaltering friendship in the face of adversity. (dedication, author bio)Pub Date: N/A
ISBN: N/A
Page Count: 208
Publisher: Manuscript
Review Posted Online: Aug. 12, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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