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DEATH BY CHAOS

A sublime portrayal of an unfaltering friendship in the face of adversity.

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In this debut novel, three women at their 20-year college reunion reexamine details surrounding a death their friend and former roommate supposedly caused.

In 1969, four new roommates at the Parnassus Canyon University in California hit it off almost immediately. Tasha Marie Goldberg, Elizabeth Adams, Dawn Wolfe, and Miranda Taylor are all bright, distinctive, and ambitious. But Tasha has her share of troubles and, in her senior year, goes to Kip Morgan for the answers to the upcoming biology midterm. During their secret rendezvous, Miranda jogs past, and loathsome, switchblade-wielding Kip aggressively taunts and pursues her before he fatally falls from bleachers. Though Tasha witnesses it, Miranda wants to avoid the authorities. Kip is the son of John Morgan, the board of trustees president, while Miranda, a reporter for the school newspaper, wrote a scathing investigative piece on the local police. She’s also certain Tasha’s promiscuity and academic cheating will negate her witness statement. When Kip’s friends spot Miranda, she flees and subsequently becomes a murder suspect. Reports of the death reveal John’s frightening influence: Kip reputedly suffered multiple stab wounds, which Tasha knows isn’t true. Years pass, and Miranda, still in hiding, leaves annual cryptic messages for Tasha (including a bouquet and an accompanying movie quote). Tasha, Elizabeth, and Dawn meet every year. During their 20-year PCU reunion, handsome biker Roger Gala catches their attention. He expresses an apparent interest in each woman as well as Miranda’s case. This renews the friends’ curiosity about the matter, and soon Elizabeth and Dawn may learn what Tasha has always known.

West’s concise writing throughout produces a brisk, descriptive novel. She quickly establishes the characters of the four roommates, whose social classes, life experiences, and temperaments noticeably vary. They essentially define their personalities by equating themselves with goddesses; Miranda chooses Eris, the goddess of discord. This leads to their endearing group name of “goddesses,” which they continue using years later. But the story ultimately centers on Tasha, who becomes a successful actor and marries TV director Jacob Felding. It’s somewhat disappointing since Elizabeth and Dawn are equally absorbing. Dawn, for one, who was conceived when White men gang-raped her Navajo mother, has a generally tranquil disposition and, fittingly, becomes a therapist. The fateful scene Tasha witnesses is suitably unsettling: Kip tries goading Miranda with homophobic slurs but adds a new, terrifying element by pulling out a switchblade. Similarly, the tense aftermath entails more than one person being deceitful. Although there’s no mystery with regard to Kip’s accidental death, there are a couple of enigmatic characters deftly inserted into the mix. For example, Miranda suggests that Tasha can trust one of her sources, whom she refers to only as the Marlboro Man. Roger, too, is initially puzzling, as he suddenly appears in the women’s lives, but readers will likely guess his link to Miranda’s case. The vivid final act deals with possibly clearing Miranda’s name as well as uncovering where she has been for two decades. Nevertheless, the author allows some questions to linger by the memorable denouement.

A sublime portrayal of an unfaltering friendship in the face of adversity. (dedication, author bio)

Pub Date: N/A

ISBN: N/A

Page Count: 208

Publisher: Manuscript

Review Posted Online: Aug. 12, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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