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NO WAY RENÉE

THE SECOND HALF OF MY NOTORIOUS LIFE

An honest look at a courageous life.

A fascinating transsexual testimony.

Born in 1934, Dick Raskind had a confusing childhood. Papa Raskind wasn’t home much, and Dick’s mother, a psychiatrist, sometimes dressed him in a slip to make him look cute. From his earliest days, Raskind felt dogged by a “female side” he named Renée. When Renée took over, Raskind “minimize[d]” his penis and shaved his legs. Eventually, Raskind fell in love with, and married, a beautiful woman, and Renée seemed to go into remission. Raskind hoped that she was “gone for good,” but she wasn’t. Raskind finally split up with his wife and decided to have sex-reassignment surgery. (His arrival at that decision is skipped over in just a few sentences, one of the few unsatisfying spots in an otherwise detailed account.) Now Renée Richards, she takes a charitable view of the conservative era in which he grew up—there was, Richards acknowledges, no room for transsexuals in post–World War II America, but “the straight-laced culture of my time frequently offered a refuge from the craziness in my house.” Richard recounts her post-surgery professional and personal struggles and successes. The author wanted a quiet life as Renée, but his accomplishments as a surgeon and tennis coach made that impossible—the press was all over Richards, and she found herself forced into the position of spokeswoman for all things transsexual (or, as Richards refers to it, “transgendered”). She addresses frankly her romantic encounters and, in the moving last chapter, offers a litany of regrets. She says that she’s hurt people along the way, and she laments that she is “a facsimile,” adding, “I think I’m a pretty good one, but I will never be more than a fax, a woman with a Y chromosome.”

An honest look at a courageous life.

Pub Date: Feb. 6, 2007

ISBN: 0-7432-9013-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

Awards & Accolades

  • National Book Critics Circle Finalist


  • National Book Award Winner


  • Pulitzer Prize Finalist

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THE YEAR OF MAGICAL THINKING

A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...

Awards & Accolades

  • National Book Critics Circle Finalist


  • National Book Award Winner


  • Pulitzer Prize Finalist

A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.

In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.

A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.

Pub Date: Oct. 19, 2005

ISBN: 1-4000-4314-X

Page Count: 192

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

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