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B IS FOR BELLIES

Name: B IS FOR BELLIES
Author: Rennie Dyball
ISBN: 9780358683650

by Rennie Dyball ; illustrated by Mia Saine ‧ RELEASE DATE: July 11, 2023

Simple and powerful.

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An alphabetical affirmation of body diversity and individuality.

The heart of this picture book can be summed up nicely with “D is for diverse: / all the shades of our skin. / We respect other people and the bodies they’re in.” With colorful and inclusive images, the text is a celebration of how bodies “jiggle” and “bounce” as well as encouragement to be aware of what your body needs. The uppercase letter of the alphabet is prominently featured at the start of each short rhyming stanza, the lowercase letter appearing as a part of the accompanying illustration. Saine depicts bodies that are diverse in various ways, including skin tone. One character uses a wheelchair, while others have missing limbs, and another uses a prosthetic leg. One character has an eye patch. There are bodies of all sizes with different hairstyles and colors. Readers are also urged to express their gender “in a way that feels true” and to feed their bodies: “You need fuel to have fun.” The rhyming text is short and moves along at an appropriate pace for a read-aloud. The letters of the alphabet are less important than the larger theme, and the book mostly structures the various topics rather than teaching the ABCs; this is above all an early introduction to body inclusivity. (This book was reviewed digitally.)

Simple and powerful. (Picture book. 4-7)

Pub Date: July 11, 2023

ISBN: 9780358683650

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
FIONA AND THE PECULIAR PRAISE
by Rennie Dyball ; illustrated by Maine Diaz

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LOVE FROM THE CRAYONS

by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019

As ephemeral as a valentine.

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Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S HOLIDAYS & CELEBRATIONS

- BOOK REVIEW
BATH TIME FOR THE CRAYONS
by Drew Daywalt ; illustrated by Oliver Jeffers

- BOOK REVIEW
GOODNIGHT, CRAYONS
by Drew Daywalt ; illustrated by Oliver Jeffers

- BOOK REVIEW
NO SAM! AND THE MEOW OF DECEPTION
by Drew Daywalt ; illustrated by Mike Lowery

- SEEN & HEARD
Daywalt, Jeffers Collaborate on New ‘Crayons’ Book

- SEEN & HEARD
Daywalt, Jeffers Collaborate on New ‘Crayons’ Book

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)