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GOYHOOD

A novel with plenty of spritz but not much follow-through.

Estranged twin brothers, one a rabbi and the other a reprobate businessman, reunite after the death of their mother for a road trip through the Deep South after learning she wasn’t Jewish—and so neither are they.

And not only are Mayer, the rabbi, and David, his drug-fueled brother, not Jewish, as she raised them in Georgia—a shocking truth revealed in her suicide note—her grandfather was “a Nazi of some kind.” Mayer, who studies the Torah the way some people devour pizza (it kills him not to be able to read it during his period of mourning, as per Jewish law), hatches a plan to convert to Judaism before returning home to his devout wife in Brooklyn. He defines goyhood as “the state of rebounding from one travesty to the next” and a lot of mishegas goes under the bridge, including a highway incident involving the one-eyed dog they rescue, a Larry David–like blowup at the Baby Light My Fireworks store in Mississippi when they object to its self-bagging policy, and the addition of David’s influencer friend Charlayne, who offends Mayer by sleeping in David’s bed. She sees their sojourn as a Jewish version of Rumspringa, but the book has more the feel of a Jewish Confederacy of Dunces (its New Orleans scenes feed that comparison) albeit without its satirical edge and dark sense of purpose. As entertaining a ride as this first novel by veteran New York reporter Fenton can be, the humor grows stale, the characters are pretty much locked in place even as Mayer is drawn into the secular life, and the soundtrack (Bob Dylan, Patsy Cline, Creedence Clearwater Revival) seems piped in from another book.

A novel with plenty of spritz but not much follow-through.

Pub Date: May 28, 2024

ISBN: 9781771683685

Page Count: 320

Publisher: Central Avenue Publishing

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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