by Reymundo Sanchez ‧ RELEASE DATE: Oct. 1, 2003
Criminal.
Plodding, predictable sequel to former gangbanger Sanchez’s earlier memoir, My Bloody Life (2000).
The pseudonymous author must be enthusiastically applauded for his struggle to extract himself from the jaws of the monster. What cannot be applauded is his prose, which never ventures beyond mediocre. Once again, the author declares he is writing his story as a cautionary tale; once again, he says he has changed his name and other details to protect his family. Once again, his claim is disingenuous: he confessed to murders in the first volume, and the Chicago police presumably would like to know who and where he is. Sanchez begins with his official excommunication from the Kings (they beat him for three minutes) and chronicles subsequent attempts to make it on his own. He fails and is soon trying to live on his rep as an ex-King. Early on, he claims to be taking classes and working as a data-entry clerk at the University of Chicago, but a hundred pages later he applies for the job we thought he already had. We hear about his gradual return to doing and dealing drugs, his serial sexual exploits (some conveyed in enough detail to make Larry Flynt flinch), his deceptions and darknesses. (At least he doesn’t kill anyone this time.) Most attractive women desire him, and he eagerly accommodates them. Lilly waits for him while he’s serving time, but after his release, he trades her in on fellow writing student Michele. After he scares off Michele, next is Marilyn—the love of his life, he claims, though soon enough he’s calling her vile names, hitting her, and threatening to slash her to death. She dumps him after they move to Dallas. He goes to Miami, marries, fathers children, enters therapy. Hardly a sentence goes by without a cliché or a common trinket offered as a crown jewel.
Criminal.Pub Date: Oct. 1, 2003
ISBN: 1-55652-505-2
Page Count: 304
Publisher: Chicago Review Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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by Reymundo Sanchez and Sonia Rodriguez
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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