by Reyna Grande ‧ RELEASE DATE: Oct. 2, 2018
A heartfelt, inspiring, and relevant memoir.
An award-winning author’s account of how she became the first person in her family to attend college and live the dream of becoming a writer.
When Grande (The Distance Between Us, 2012, etc.), a former undocumented Mexican immigrant, left Los Angeles in 1996 for the University of California, Santa Cruz, she was both excited and afraid. Two older siblings had dropped out of college, broken her alcoholic father’s heart, and made him “[give] up on me.” He had also exiled them from his life to facilitate the return of the second wife he had divorced. By the time Grande left community college for UCSC, her main sources of emotional support were a professor and a boyfriend who had been accepted to another college. At first, the author felt out of place on the nearly all-white UCSC campus; gradually, she found a place among other Hispanic students and in the university’s creative writing program. But the ghosts of her past continued to haunt her. When, for example, the mother who had abandoned her sent Grande’s sister back to Mexico for “running wild,” Grande brought the young girl to Santa Cruz only to be profoundly disappointed by her sister's bad behavior. After graduation, she returned to LA idealistic, believing that a degree would automatically grant her success. Instead, she floundered, unsure of how to begin her writing career. Then she stumbled into a teaching job. She began to make her dream of a middle-class life a reality, but at the expense of her writing. Now a single mother but no less determined to succeed on her terms, she earned a place in the Emerging Writers program, where she finally found the creative path she had been seeking all along. Candid and emotionally complex, Grande’s book celebrates one woman’s tenacity in the face of hardship and heartbreak while offering hope to other immigrants as they “fight to remain” and make their voices heard in a changing America.
A heartfelt, inspiring, and relevant memoir.Pub Date: Oct. 2, 2018
ISBN: 978-1-5011-7142-0
Page Count: 336
Publisher: Atria
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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