A heartfelt, inspiring, and relevant memoir.

A DREAM CALLED HOME

A MEMOIR

An award-winning author’s account of how she became the first person in her family to attend college and live the dream of becoming a writer.

When Grande (The Distance Between Us, 2012, etc.), a former undocumented Mexican immigrant, left Los Angeles in 1996 for the University of California, Santa Cruz, she was both excited and afraid. Two older siblings had dropped out of college, broken her alcoholic father’s heart, and made him “[give] up on me.” He had also exiled them from his life to facilitate the return of the second wife he had divorced. By the time Grande left community college for UCSC, her main sources of emotional support were a professor and a boyfriend who had been accepted to another college. At first, the author felt out of place on the nearly all-white UCSC campus; gradually, she found a place among other Hispanic students and in the university’s creative writing program. But the ghosts of her past continued to haunt her. When, for example, the mother who had abandoned her sent Grande’s sister back to Mexico for “running wild,” Grande brought the young girl to Santa Cruz only to be profoundly disappointed by her sister's bad behavior. After graduation, she returned to LA idealistic, believing that a degree would automatically grant her success. Instead, she floundered, unsure of how to begin her writing career. Then she stumbled into a teaching job. She began to make her dream of a middle-class life a reality, but at the expense of her writing. Now a single mother but no less determined to succeed on her terms, she earned a place in the Emerging Writers program, where she finally found the creative path she had been seeking all along. Candid and emotionally complex, Grande’s book celebrates one woman’s tenacity in the face of hardship and heartbreak while offering hope to other immigrants as they “fight to remain” and make their voices heard in a changing America.

A heartfelt, inspiring, and relevant memoir.

Pub Date: Oct. 2, 2018

ISBN: 978-1-5011-7142-0

Page Count: 336

Publisher: Atria

Review Posted Online: July 31, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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