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THE GOOD PRIEST’S SON

For all its incidental charms, one of Price’s lesser novels, scattered and indecisive.

Death hovers over an anxious homecoming in the venerable southern writer’s 14th novel.

Mabry Kincaid is flying back home from Europe to New York on September 11, 2001, when his plane is diverted to Nova Scotia. It will be days before the 53-year-old art conservator finds out whether his loft, just blocks from the Twin Towers, is still intact. On impulse Mabry returns to his family home in North Carolina, where his father, a retired Episcopalian priest, is in bad shape. Price (Noble Norfleet, 2002, etc.) lures the reader with a number of maybes rather than a plot. Tasker Kincaid may be at death’s door; son Mabry may be diagnosed soon with multiple sclerosis; the painting he collected in Paris for a WTC client (now presumed dead) may conceal a priceless van Gogh sketch. Only one of these matters gets resolved. Tasker at least is in good hands, tended by Audrey and her teenaged son, Marcus, black folks long linked to the Kincaids. But who will tend to Mabry, who’s experiencing temporary blindness and numbness? His wife died back in April, and he’s estranged from daughter Charlotte. That’s Mabry’s fault; he cheated on his wife so often she threw him out when Charlotte was 12. But his faults don’t keep self-pity from welling up, especially after Tasker admits that his greatest love was for Mabry’s brother, Gabriel, killed years before in a hunting accident. Very much in the Price mold, this is a tale of family ties, broken but partially restored, of confessions and reconciliations. It’s not only Mabry who couldn’t keep his pants zipped: Tasker confesses to once taking advantage of three female parishioners; young Marcus confesses to impregnating his cousin at age 15. Yet the churning emotions lack a strong narrative framework, and Mabry’s hand-wringing over his possible MS symptoms becomes tedious, as does the warmed-over angst following 9/11, including a scene close to Ground Zero.

For all its incidental charms, one of Price’s lesser novels, scattered and indecisive.

Pub Date: June 1, 2005

ISBN: 0-7432-5400-7

Page Count: 288

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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THE PEARL

Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.

Pub Date: Nov. 24, 1947

ISBN: 0140187383

Page Count: 132

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 1947

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ELEANOR OLIPHANT IS COMPLETELY FINE

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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